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Carolyn Sickles

Photo courtesy the Tulsa Artists Fellowship

Executive Director of the Tulsa Artist Fellowship, Carolyn Sickles supports a multidisciplinary community of creatives and champions the transformative power of art to diverse audiences. A creator herself, Sickles has featured her work in exhibitions around the country – including New York, Boston and Miami. She has also spent time hosting workshops and guest lecturing nationwide. We caught up with Sickles and got her thoughts on… 

…her early interest in the arts.

I was fortunate to grow up in a family of creative practitioners who deeply believed in the power of the arts to expand our understanding of the world and one another. My parents intentionally surrounded me with diverse artistic experiences — museums, arts learning opportunities, and a public education that valued creativity. Those early moments shaped my fundamental belief that artistic experiences and art-making are for everyone. That belief set me on my path as both an artist and a community-rooted arts worker, dedicated to making space for every artistic voice — and now, my own multigenerational family lives, works and contributes here in Oklahoma, which makes this commitment even more meaningful to me.

…the experiences that have influenced her approach to supporting artists.

Throughout my career, I’ve worked at the intersection of art, community and place — leading contemporary art spaces, developing artist-centered programs and building civic partnerships that broaden access to the arts. These experiences taught me that supporting artists is about more than funding projects — it’s about fostering environments where artists and communities can grow together. That perspective continues to guide my work today: investing in artists as cultural citizens whose voices help shape vibrant, inclusive communities like the one my own family now calls home.

…the Tulsa Artist Fellowship and how it has evolved.

I was drawn to Tulsa Artist Fellowship because its mission so clearly aligns with my own values — and with the broader vision of the George Kaiser Family Foundation, which works to ensure that every person and family in Tulsa has the opportunity to flourish, regardless of their background. The Fellowship embodies this vision by addressing the unique challenges contemporary artists face, and by championing the arts as essential to healthy, resilient communities. 

Under my leadership, we’ve strengthened Tulsa Artist Fellowship’s role as an art platform dedicated to supporting artistic voices statewide and from across the nation and fostering through project-based awards, presenting new work and public programs. We’re committed to working alongside Oklahoma’s welcoming and diverse communities — neighbors who represent a broad and vital audience for this work. And as someone whose own family is deeply invested in the progression, culture and health of this community, I take that responsibility to heart every day.

…TAF’s most significant contribution to the art world. 

Showing what’s possible when a city invests deeply in artists as neighbors, cultural stewards and visionaries. We create conditions that allow artists to live and work sustainably here while building connections that reach far beyond Tulsa. Together with innovative partners, we’re helping position Tulsa as a home for contemporary arts practices. For me, this work is personal — my family and I are part of this community, and I’m proud to help shape a place where the arts strengthen the social fabric for everyone.

… what excites her about contemporary art.

I’m inspired by how contemporary artists are expanding what community engagement can look like — creating work that not only reflects our world but reshapes it. I see artists forging connections across disciplines, cultures and geographies, building networks of care and collaboration that transcend boundaries. That energy and urgency give me hope. It’s a reminder that artistic voices — when given space and support — are powerful drivers of social imagination and collective change.

…her creative outlets and how they inspire her. 

My own arts practice remains an important touchstone for me. Making work reminds me of the vulnerability, experimentation and commitment that artists bring to every project. It keeps me rooted in the understanding that supporting artists means more than providing resources — it means creating an environment of trust, respect and possibility. That lived experience shapes how I advocate for artists and guide our work at Tulsa Artist Fellowship, and it mirrors how I hope to contribute to the broader creative life of the community I am pround to call home.

…what’s next for TAF.

We’re excited to continue strengthening Tulsa’s reputation as a dynamic place for contemporary art by nourishing and sustaining our city’s vibrant arts ecosystem. Together with innovative partners and our welcoming community of neighbors, we’re expanding opportunities that honor artistic freedom, support experimentation and push the boundaries of what’s possible. It’s an inspiring moment for Tulsa to shine as a city where artists are cared for and empowered — and where communities and artists thrive together through shared creativity and bold collaboration.

Incubating Innovation

Sailor and The Dock, near OKC's Film Row, achieved certification as an incubator program in March 2024. This milestone marks it as the first certified creative and retail business incubator in Oklahoma. Photos courtesy the Oklahoma Department of Commerce

Nurturing. Care. Protection. Just as an egg needs all these things to hatch, so does a new business in order to launch, grow and succeed in a world that can quickly chew up and spit out entrepreneurs and their ideas.

“As a young founder, it can be cutthroat, even predatory,” says William Colton, inventor, patent owner and CEO of Paldara Pharmaceuticals. “When you’re dealing with all the emotions and the financial risk, having someone on your side, on your team, that’s there for you and your business – it means so much.”

Oklahoma Small Business Incubators are there to do just that by helping startups accelerate their development, offering targeted resources, services, professional advice, mentorships and even a roof over their heads, all in a shared facility that fosters growth. 

“It’s an entrepreneurial center, or a hub, where startups and small businesses can be surrounded by peers and have access to programming,” says Cara Evans, director of AXIS, the incubator at Francis Tuttle Technology Center in Edmond. “And oftentimes, there’s some kind of a reduction of overhead or incentive tied to it.”

In 1988, the Oklahoma Legislature passed the Oklahoma Small Business Incubators Incentives Act. The act exempts the tenants of a certified incubator facility from state tax liability on income earned as a result of occupancy for up to five years. In 2001, the legislature amended the act to extend the tenant’s tax exemption from five to 10 years. 

Since then, the state has benefited from increased revenues and increases in the number of startups and expanding small businesses. Right now, 376 full-time, 112 part-time and 43 interns are employed by incubator tenants.

Currently, there are 26 certified incubators operating across the state and more than 1,000 small businesses have located in them since the program’s inception in 1988.  From Oklahoma City, Stillwater and Tulsa to Enid, Guthrie, Pawhuska and beyond, 152 small businesses are currently leasing space in the state’s incubators.

Colton, who started his advanced preclinical biotech company in 2019 while attending Oklahoma State University, is developing a platform hydrogel technology that can treat and prevent up to 99% of drug resistant infections, he says. He’s currently operating out of the Meridian Technology Center, an incubator in Stillwater.

Jaren’s Jerky – an Oklahoma incubator success story – has achieved a notable milestone by becoming a USDA certified beef jerky processing plant in the Strate Center incubator.

“That’s where I started my first lab,” Colton says. “I bought a lot of my equipment from another biotech company going out of business. So I was able to be very thrifty with some very expensive scientific equipment. We opened up our lab right before COVID and I finished our first minimum viable product by the end of that year.”

Colton is currently working with the Mayo Clinic, as well as OSU’s College of Veterinary Medicine, as the company navigates the FDA regulatory pathway.

Lindsey Miller, founder and owner of My Marketing Assistant, didn’t need the office space that incubators can offer, but she was looking for connection.

“I was fully remote,” Miller says. “But I wanted the business support, the social support. I wanted to make connections.”

Her company, based in Oklahoma City, launched in 2023 with the support of the AXIS incubator. My Marketing Assistant now has eight employees and helps clients all over the U.S. with their marketing and promotional strategies.

“I’ve gotten clients, speaking engagements, interview opportunities and countless other things because of that inclusion,” she says. 

Evans says incubators are looking to work with entrepreneurs like Miller who are seeking opportunities to stretch themselves and their business.

“The ideal client is someone who is coachable and who realizes that this is an economic development motive and that we’re on their team,” Evans says. “If we are making suggestions or trying to introduce them to new resources, it’s because we want them to be wildly successful. Sometimes people are so in love with their idea or their technology that they don’t have the capacity to grow it. We want to make sure that as we bring someone in that they’re willing to adapt and go with the flow, because hopefully it’s what serves their business to be the most successful.”

Small business incubators come in all shapes and sizes.

“Each incubator is going to have its own flavor,” says Evans, “because there are some that have access to commercial kitchens. My incubator is on a STEM campus, so a lot of the companies that wind up at AXIS are related to software as a service or they have something that’s going to be venture backable.”

At their core, the small business incubators are in it for Oklahoma.

“A big part of the philosophy is to grow our own,” Evans says. “We already know that they love Oklahoma. So if we’re able to fill the gaps in our local economies with these companies – because when they see a need, they fill it – we want to provide those supports on the front end, so they hopefully have longevity, stay in Oklahoma and create more jobs. It’s really kind of a long play, just like any other investment into startups and small businesses. You’re planting seeds and then hoping some hit.”

Featured photo credit: Sailor and The Dock, near OKC’s Film Row, achieved certification as an incubator program in March 2024. This milestone marks it as the first certified creative and retail business incubator in Oklahoma. Photos courtesy the Oklahoma Department of Commerce

Soundtrack for a Sunset

A rendering depicts the proposed Sunset Amphitheater, set to open in late 2026 in Broken Arrow’s Events Park. Rendering courtesy BCA Studios

The vibrancy of the music scene in the Tulsa metro makes Broken Arrow the perfect location for a luxurious new outdoor amphitheater, according to one enthusiastic project developer.

Bob Mudd is senior vice president of construction and market expansion for VENU, a Gainesville, Ga., based hospitality and entertainment firm. The $107 million amphitheater he’s speaking of is now under construction in Events Park; it’s a public-private partnership with the city of Broken Arrow and its economic development authority. Scheduled to open in the second quarter of 2026, the Sunset Amphitheater will seat 12,500 people and offer more than 200 fireplace suites to make it a year-round facility, Mudd says. 

“I can’t speak highly enough about how good it has been to work with the city of Broken Arrow,” Mudd says. “The city had a great deal of vision for what Events Park would be, and they had a long-term plan for putting an amphitheater there. It obviously stood out as a fantastic location.”

The state-of-the-art facility, located on 13 acres, will be handy for fans and entertainers alike with its location 15 minutes from the airport and the center of Tulsa, Mudd says.

“A lot of the touring acts are looking specifically for outdoor venues,” Mudd says. “Artists love that outdoor environment. We will be bringing the world’s best entertainers through Tulsa.”

Acts that have appeared at – and often sold out – VENU’s other locations in Gainesville and Colorado Springs, Colo., include Foreigner, Dirks Bentley, Allison Kraus, Robert Plant, Styx, Steve Miller, the Beach Boys, Ronnie Milsap, Josh Turner and Diamond Rio, Mudd says.

“We’re looking at 70-plus concerts a year,” he continues.

All the upper and lower bowl seating will be covered and protected from the weather above, and most parking will be right next to the amphitheater.

The Luxe FireSuites will feature natural gas-powered fire pits and a private environment for taking in a concert. All suites will include food and beverage service before and during the shows. A high-end restaurant and hospitality space will also be open during events. 

Other possible uses for the amphitheater include high school and college graduations and virtually any type of performing arts showcase, Mudd says.

Once open, the Sunset Amphitheater will offer well-paying, full-time jobs all year-round, Mudd says. The economic impact is projected at $1.7 to $2 billion in the first decade of operation.

The concerts are projected to generate nearly $4 million in city sales tax and $934,000 in ad valorem tax revenues annually, according to the city of Broken Arrow’s website, with an estimated annual economic impact of $211 million.

VENU recently broke ground on a 20,000-seat amphitheater in McKinney, Texas, Mudd says. Another amphitheater is planned near El Paso, and talks are underway with the city of Yukon in the Oklahoma City metro. 

Breaking the Habit

Oklahomans who want to kick their nicotine habits can access a variety of resources. One of those resources is Oklahoma Tobacco Settlement Endowment Trust, or TSET, a state grantmaking trust devoted to preventing cancer and cardiovascular diseases, which happen to be Oklahoma’s leading causes of death and are linked to tobacco use. 

Tobacco – which contains the chemical nicotine – is a plant grown for its leaves, which are smoked, chewed or sniffed. Nicotine is an addictive substance, on par with the likes of alcohol, cocaine and morphine.

In Oklahoma, just under half a million people, or 15.8% of adults, smoke. In 2022, 11% of Oklahoma adults used e-cigarettes, and 5.7% used smokeless tobacco. According to TSET, there is no safe form of tobacco use, and tobacco kills more people than alcohol, car accidents, illegal drugs, murders and suicides combined. 7,500 Oklahoma adults die annually from their own smoking habits, and high school e-cigarette use is at 21.8%.

In short, it’s clear that nicotine addition is a serious problem globally and right here in Oklahoma. TSET can help. 

TSET offers Oklahomans four weeks of free patches, gums or lozenges, plus coach calls and group sessions, to help quit smoking. Photo courtesy the Oklahoma Tobacco Helpline/TSET

Oklahoma Tobacco Helpline (OTH) director Christin Kirchenbauer says barring medical issues, those registering with OTH are “eligible for four weeks of free patches, gum or lozenges,” plus coach calls and live online groups sessions, among other options. Slip-ups happen, so Oklahomans can sign up for the Helpline twice annually at okhelpline.com or 1-800-QUIT-NOW.

Thousands of teens have joined My Life, My Quit, which offers free, non-judgmental support for those struggling with nicotine addiction. 

“Nearly all nicotine comes from tobacco,” the website reads, “and it’s found in all tobacco products, including vape pods.” An online platform, the program offers options to create your plan to quit, track your progress, achieve your goals and chat with a coach. Connect at mylifemyquit.com or call (855) 891-9989. 

“Oklahoma has made impressive strides in reducing tobacco use, but more needs to be done,” says TSET executive director Julie Bisbee. “Preventing young people from starting tobacco or nicotine is always the first, most effective step in reducing rates of smoking and vaping.”

Quitting Tobacco: What to Know

When stopping the habit, Kirchenbauer says, “nicotine withdrawals typically peak one to three days after quitting and are associated with tobacco cravings, insomnia, increased appetite and general frustration. The nicotine replacement therapy – gum, patches or lozenges – provided by the Helpline helps reduce these negative impacts associated with withdrawal while also providing a ‘step-down’ process that creates a runway to a nicotine-free life. Coaches help provide tips on how to break habits that are associated with tobacco use, like drinking coffee or driving home from work.”

Kirchenbauer says quitting tobacco use yields big benefits. 

“Twenty minutes after quitting, their heart rate will decrease. One day after quitting, carbon monoxide levels in the blood drop to normal. Within three months of quitting, they should experience less coughing, wheezing and shortness of breath. One year after quitting, their risk of heart disease will be cut in half.”

Kirchenbauer continues: “Quitting smoking is one of the best decisions a person can make for their health. It lowers the Type 2 diabetes risk, normalizes heart rates and improves the function of lungs, heart and blood vessels. It also protects family, friends and coworkers from secondhand smoke, which can have similar negative health effects.” 

The Oklahoma Tobacco Helpline offers free resources to residents hoping to stop smoking or consuming tobacco in any form.

Safe Kids, Strong Futures

The Oklahoma Institute for Child Advocacy combines policymaking, leadership, outreach and education to help children in Oklahoma, especially those in the state’s care and those growing up in violence, poverty and abuse. Photos courtesy the OICA

Launched in 1983 by a group of private citizens, the Oklahoma Institute for Child Advocacy (OICA) was established to create a strong, statewide network that provides a voice for the needs of children in Oklahoma. It was founded particularly to advocate for those in the state’s care and those growing up amid poverty, violence, abuse and neglect, or other situations that put their lives and futures at risk.

OICA has worked for over four decades to inform and educate state policymakers about the importance of investing wisely in children and families. The institute works with state policymakers and agencies, alongside health, education, business and community organizations.

As the CEO of OICA, Joe Dorman says that the organization’s “entire mission is to raise awareness and encourage people to take action. OICA was created as a result of horrific conditions that happened in a Tecumseh juvenile detention center in the late ’70s and early 1980s.”

These conditions, which were exposed in an investigative report by national news media outlets, were dubbed Oklahoma Shame, and “spurred child advocates from every corner of the state into action to create an organization whose mission was to ensure the protection of Oklahoma’s children,” according to the OICA website.

“We’ve worked diligently to change the thought process from a correction system to a rehabilitation system,” Dorman says. “We don’t want children involved in the justice system. We want to try and help them course correct, and become productive citizens with the help and attention they need.”

Dorman adds that OICA works hard in the foster care system to try and bring about positive changes to make sure children receive the best resources possible to make their foster system stay positive. 

“We do what we can to make sure we constantly improve the foster care system,” he says.

During the 2025 Oklahoma legislative session, the OICA saw two crucial pieces of legislation become law. One new law makes it illegal for schools to use corporal punishment for certain students with special needs under the federal Individuals with Disabilities Education Act. Another allows the state to enter private facilities and investigate issues of abuse in situations where the state houses children.

“Child abuse and neglect should not just be a grave concern,” says Dorman. “It should be a call to action for every person to do what they can to help those youngest among us.”

Dorman says OICA is involved in a constant battle to make sure the State of Oklahoma handles the treatment of children in a proper manner.

“We’ll see a backslide on oversights, and that’s where we have to be there to make sure we’re remaining vigilant on those issues, and empowering citizens to speak up and address the needs,” he says. “We raise awareness on issues and help people navigate the political process to help people see positive changes that impact children.”

How to Help

 “If you suspect a child is being abused, or if you are a victim and reading this, please call the statewide abuse and neglect hotline at 1-800-522-3511,” says Dorman. “If you are interested in becoming a foster parent for a child, please go to okfosters.org to learn more. We need more people who can help these children in need,” says Dorman.

Powering Progress

The Rotary Club of Tulsa welcomes “individuals of all backgrounds who are committed to service, ethics and leadership,” says president elect Carl Vincent. Photo courtesy the Rotary Club of Tulsa

Rotary clubs have been popular in the United States for over a hundred years, but many people don’t know what they are or what function they serve. 

“Rotary clubs are service based organizations committed to uniting leaders from all walks of life to exchange ideas and take action to create lasting change – locally and globally,” says Carl Vincent, president elect for the Rotary Club of Tulsa. “Rotary’s core functions include promoting peace, fighting disease, providing clear water and sanitation, supporting education, growing local economies and protecting the environment,” he continues. 

These clubs also serve as local hubs for those who are committed to service above self. 

“Rotary clubs bring together people from all walks of life who are passionate about creating lasting change in their communities and around the world,” says Jack Werner, the district governor for Rotary District 5750 in Oklahoma City.  He seconds that the main priorities and mission of a rotary club are to provide service to others, and promote integrity, world understanding, goodwill and peace. 

“Our district is deeply engaged in initiatives like ending polio, supporting education, and expanding access to healthcare,” says Jeanean Yanish Jones, public image chair for Rotary District 5750. “We are especially proud of the local impact our members make every single day.” 

Vincent agrees, and mentions additional priorities like investing in community welfare and preserving local heritage – essentially “enhancing the quality of life in Tulsa through meaningful service, business integrity, and fellowship,” he says. “The club also embraces global humanitarian efforts, such as water well projects in Nicaragua and Guatemala.” 

The good that a rotary club can do is, essentially, boundless. 

“Rotary clubs deliver community benefits from hands-on service, philanthropy and long-term initiatives, including dozens of grants to local Tulsa non-profit agencies from the Rotary Club of Tulsa Foundation,” says Vincent. 

Founding the Tulsa Boys’ Home and hosting events to honor first responders are just a few of the ways the club does immeasurable good for the city. 

“Its programs connect civic-minded individuals to resources, speakers and platforms to create real, lasting change,” says Vincent. 

District 5750 is involved with building wheelchair ramps, supporting local food banks and even mentoring youth. 

“Every club has its own personality and passions,” says Werner. “What unites us is a shared commitment to making our communities stronger and more resilient.” 

To become a member of any club, the only real prerequisite is a desire to serve. 

“There’s no special background or requirement,” says Jones. “You just need a heart for service and a willingness to show up.” 

Vincent agrees: Rotary is for everyone.

“Rotary is open to individuals of all backgrounds who are committed to service, ethics and leadership,” he says. “There are no religious or political prerequisites – only a shared desire to serve and lead.” 

To get involved, a good place to start is with the clubs’ websites: tulsarotary.com and rotary5750.org.

“We welcome new members and volunteers with open arms,” says Werner. “Together, we can accomplish great things.” 

Swim, Bike, Run

Group training and a supportive atmosphere are fostered within Oklahoma’s triathlon athlete clubs. Photos courtesy Tulsa Area Triathletes

In Oklahoma, the triathlon season pulses with excitement as diverse groups host races statewide. 

TriOKC, under Chris Horton’s leadership, organizes a bevy of events: a March duathlon, the Route 66 Triathlon with Riversport Adventures in downtown Oklahoma City which occurred on May 30, and other events sprinkled throughout the year.

Meanwhile, at Tulsa Area Triathletes, newbies and experts alike are guided by Tricia Cadenhead, who is a board member, sponsor and coach for the group. She also runs a series including a duathlon and the Tulsa Triathlon, often in June. 

Even still, another group stages races in Guthrie, with this year’s Territorial Triathlon, the state championship, having happened in July.

For beginners, triathlons can seem intimidating, but a sprint, featuring a 500- to 750-yard swim, 10- to 15-mile bike, and 5K run, offers a less unnerving entry point and a tangible goal for which to strive. 

Training, the experts say, looks different for everyone.

“Training depends on the race,” says TriOKC’s Horton. “For a sprint, a few hours a week – building to 500 yards swim, 3 to 5 miles run – works if you start where you’re at. But for a full Ironman’s 140.6 miles, it’s 10 to 12 hours weekly, and 20 hours if you’re competitive. It’s intense.” 

Cadenhead echoes this training sentiment and works to help beginner athletes prepare as best as possible.

“We do a beginner tri-camp – that’s mostly my thing, my baby, though we all pitch in. It’s a 12-week course starting early February, meeting weekly until Spring Fever, our beginner-friendly triathlon.”

Newcomers can ease into training with two or three weekly swims, runs and bike rides, often on weekends, to build endurance. 

“Ease into it,” Horton says. “Build strength and durability. Monitor your heart rate; if it spikes oddly, slow down.” 

If it all seems like too much to handle, Cadenhead offers reassurance. 

“The community is very supportive,” she says. “It may sound scary, but we welcome beginners with open arms, showing them routes and how to transition.” 

Group training and a supportive atmosphere are fostered within Oklahoma’s triathlon athlete clubs.

Her camp includes swim, bike and run sessions, plus course rides, preparing racers for the “snake swim” under pool lane ropes. Post-camp, open-water sessions at Keystone on Tuesday nights with kayaks and paddleboards cater to first timers and seasoned athletes alike.

Preparing with the right gear is also crucial – wetsuits, helmets, shoes and running equipment must be used before an athlete’s first major event. 

“Nothing new on race day – food, clothes, gear,” Horton warns, recalling blisters from new socks. Cadenhead camp teaches this, too, ensuring smooth switches from swim to bike to run. 

Race day starts with a briefing, then a mass swim start. First-timers should hang back to avoid the risk of flailing arms, Horton says. 

Before the big day, another concern is what to eat, and how much. Nutrition, the experts say, scales with distance. Sprints need less, but Olympic events like 1,500-yard swims, 25-mile bikes and 10K runs; Half Ironmans, which include 1.2-mile swims, 56-mile bikes and 13.1-mile runs; and Ironmans, which include 2.4-mile swims, 112-mile bikes and 26.2-mile runs, demand true fueling. 

“Muscles burn sugar; replenish or suffer,” Horton says. “Train your gut, and test [energy] gels beforehand.” 

Local races like TriOKC’s have no cut-off times, celebrating completion. 

Built By Workers, Celebrated by All

Labor Day parades and other festivities have been celebrated in Oklahoma for a century. Photo courtesy the OHS/El Reno Carnegie Library

For many, Labor Day is merely an opportunity to have a long weekend, mark the last throes of summer weather and truly begin to embrace the back-to-school season. But just over 100 years ago, the celebration was inaugurated to commemorate a deeper purpose: the American worker had fought hard for rights and recognition and wanted to have a day away from labor for celebration.

Labor Day in the United States was first celebrated on September 5, 1882, in New York City with a parade. The event had a rough start when only a few marchers showed up, and there were no musical instruments available. But the parade was saved when, according to the U.S. Department of Labor website, two hundred members of the Jewelers Union of Newark showed up with a band in tow. Spectators began to join in, and a final count of participants ranged from ten thousand to twenty thousand. Picnics and festivities followed the parade.

“The holiday is rooted in the late nineteenth century, when labor activists pushed for a federal holiday to recognize the many contributions workers have made to America’s strength, prosperity and well-being,” according to the U.S. Department of Labor website.

The idea quickly spread, and by 1887, several states, including Oregon, New York and Colorado had officially recognized the holiday. In 1894, following the violent Pullman Strike, President Grover Cleveland signed legislation making Labor Day a federal holiday, aiming to improve relations with organized labor.

This movement to further the cause of workers was a crucial part in shaping Oklahoma just before statehood. While Labor Day was becoming a federal holiday, the labor movement was making headway in what would become Oklahoma as well. The earliest part of the 20th century saw the establishment of the Twin-Territorial Federation of Labor, which united the numerous unions representing dozens of trades and crafts that existed in both Oklahoma Territory and Indian Territory, according to the Encyclopedia of Oklahoma History and Culture.

A point of historical debate surrounds the true founder of Labor Day. Two men with very similar last names are most often credited: Peter J. McGuire and Matthew Maguire. Peter McGuire, a co-founder of the American Federation of Labor and a prominent labor leader, is frequently cited for proposing a day to honor working people. However, evidence also strongly supports Matthew Maguire, a machinist and secretary of the Central Labor Union in New York, as the key organizer behind the first celebration in 1882. Regardless of who proposed it first, both men played influential roles in shaping the early labor movement. 

As you celebrate the long weekend and bring summer to a close, remember that Labor Day remains a lasting tribute to the American worker and the progress made through organized labor.

Choctaw Labor Day Festival

One long-standing Oklahoma tradition has been associated with Labor Day since 1953. The Choctaw Nation Labor Day Festival, held annually in Tvshka Homma, Oklahoma, celebrates tribal heritage with cultural demonstrations, stickball games, concerts and a princess pageant. The event brings together thousands each Labor Day weekend to honor tradition, unity, and community in the heart of the Choctaw Nation, according to its website.

Sculpting Modern Messages

Oklahoma is rich in natural beauty and boasts a compelling history. However, it’s also the birthplace of many talented creatives, including a diverse range of sculptors and other artists, who use an array of media to create powerful works that tell stories about the people and culture of our state.

Allan Houser, originally Haozous, was one of the most important Native American artists of the 20th century. He was born in 1914 near Apache, and was a member of the Chiricahua Apache tribe. After gaining prominence as a painter, Houser turned to creating sculptures that honored Native people and culture. His bronze sculpture, Sacred Rain Arrow, is housed at the Oklahoma History Center and was featured on a past Oklahoma license plate. 

Another artist who celebrated Native culture was Blackbear Bosin. He was a Kiowa-Comanche painter and sculptor born in 1921 near Anadarko. Though best known for his painting Prairie Fire, he also created a sculpture that honored Native traditions. The Keeper of the Plains is a 44-foot-tall steel monument in Wichita, Kansas, situated at the confluence of the Big and Little Arkansas rivers. 

Marjorie Strider was born in Guthrie in 1931. She was a Pop Art and performance artist who used bold colors and playful shapes. Her most famous works featured three-dimensional images of women that seemed to pop off the canvas. While her work differed from that of others on this list, she helped break barriers for women in the art world. 

Petah Coyne, born in Oklahoma City in 1953, creates sculptures using unconventional materials such as wax, feathers and flowers. Her work has been described as emotional and mysterious, and often celebrates the contributions of women in the world of art. A recent work features nine hanging wax sculptures, all named after notable female artists and writers. These brightly colored works are meant to be viewed from below. Coyne’s art is featured in museums such as the Guggenheim and the Museum of Modern Art. 

Paul Moore is a sculptor from Oklahoma City and a fifth-generation Oklahoman. He creates larger-than-life bronze monuments, and visitors to the U.S. Capitol and the Smithsonian’s National Portrait Gallery in Washington, D.C., can view his work. His Centennial Land Run Monument in Oklahoma City, which he created alongside his two sons, is one of the largest bronze sculptures in the world. It features 45 figures of pioneers, horses and wagons, spanning 365 feet in length and standing over 16 feet tall. Another large sculpture by Moore is On the Chisholm Trail, which stands 11 feet tall and is housed at the Chisholm Trail Heritage Center in Duncan.

Willard Stone, a Cherokee artist from Oktaha, made sculptures using wood. Even though he lost the partial use of one hand in an accident when he was 13, he became known for his smooth, flowing carvings. Several of his wood carvings were created for Thomas Gilcrease, a Tulsa oilman for whom Stone worked. His art is housed at the Gilcrease Museum as well as at the Smithsonian Institution in Washington, D.C. 

From Native heroes to modern messages, Oklahoma’s sculptors have used their talents to shape the way people see the world.

A Bluegrass Tradition Rolls On

One of Oklahoma's most beloved events, the Bluegrass & Chili Festival, rolls back into town this September. Photos courtesy the Bluegrass & Chili Festival Committee

Set for downtown Tahlequah on September 5 and 6, this year’s installment of the long-lived Bluegrass & Chili Festival includes a Friday night performance by the all-woman band, Sister Sadie. The group’s fiddler is Deanie Richardson, an acclaimed musician who performed and recorded with a number of country-music stars – including, in the ’90s, chart-topping vocalist Patty Loveless. 

And that connection reminds Dell Davis of a story.

“Patty came to the festival [in 1997], when we were still in downtown Tulsa,” remembers the event’s longtime director. “That was back when the in-ear monitors were a pretty new thing, and the musicians kept coming over and saying, ‘We’re picking up some radio station. What frequency are you guys on?’ And we were like, ‘We don’t have any radio stations broadcasting live from here.’  Come to find out, they were picking up the music from the ballet, which was going on at the PAC next door to us.” She laughs. “Ballet and bluegrass – that was interesting.” 

Some would also say that the pairing of bluegrass and chili is just as interesting. Davis might agree; it’s one of the few things about the annual festival that wasn’t her idea. As she notes, back in the late 1970s, Downtown Tulsa Unlimited – an influential collection of local merchants and businesspeople – decided to stage “some sort of bluegrass event” in the fall, as a kind of counterbalance to Mayfest, held every spring. But the folks at DTU decided that, in addition to the music, they needed a food component. So someone came up with the idea of adding a chili cook-off, and, in 1979, in downtown Tulsa, the first Bluegrass & Chili Festival arose.

It remains the only one to ever happen without Dell Davis’s involvement.

“That first year,” she says, “I only attended. The second year, they called me, because I was at [radio station] KVOO, and they knew I knew the bluegrass thing. So that’s when I became involved. I did all their entertainment, their booking, for nine years after that. I didn’t take the whole thing over until 1990, when I came on board as the director.” 

At the time she began her association with the festival, she had been doing her bluegrass-based radio program for several years. Her immersion in the genre, however, stretched much farther back. 

“I grew up in this music,” she says. “My dad was a player, and for years, he and my uncle did a show every Saturday night called the Country Social. It was in Checotah. And all these great bands would come in to this old tabernacle building; it kind of reminded me of the Grand Ole Opry. So I was two years old and going to bluegrass events. I spent every Saturday night of my teenage years at the Country Social. I’ve known nothing but music my entire life.” 

Applying her knowledge of and fondness for bluegrass and country, Davis and her staff built the annual festival into one of the biggest of its kind. And then, a decade or so after becoming director, she found herself guiding it out of its downtown Tulsa home and into a smaller nearby city.  

“We left Tulsa in 1999, after 20 years,” she recalls. “DTU at the time was losing some city contracts, so the organization was not going to be able to continue. Well, they knew how much passion I had for the event, and they said, ‘If you want to take the name and move it somewhere else…’ Basically, it was kind of like, ‘Knock yourself out.’  So we went to Claremore and spent 18 years there.” 

Then, as Davis remembers it, “All of a sudden it was like, ‘We don’t want this anymore, and you don’t have a job anymore.’”  

At that time, in addition to doing the festival, Davis had been working for the Claremore Chamber of Commerce – a sponsor of the event – for 16 years. When she left the position, and Claremore, she found that the Bluegrass & Chili Festival had no shortage of suitors. 

“We had 21 cities that wanted us to move the festival there,” she says. “Wagoner had a mayor at the time named A.J. Jones, and he said, ‘If you come here, we’ll back you 100%. We need to get our little town on the map.’ He was very convincing – and he did exactly what he said he was going to do. We did six there, and then, unfortunately, he lost an election.” 

So the peripatetic days for the fest began again.

“Pryor asked, and so we said, ‘Okay, we can move to Pryor. Have festival, will travel.’ But then our dates conflicted with their county fair, and they felt like that hurt the fair, so they wanted me to move the date. I said, ‘If we do, we’ll lose our vendors. We’ll lose our entertainers. We’ve had that date for 44 years, and we can’t move it.’ 

“It’s always been the weekend following Labor Day, because [the longtime Tulsa event] the Great Raft Race was on Labor Day,” she adds. “When we were in Tulsa, that’s the reason we went with the week after.

“So we went to Pryor but couldn’t make the date work. Tahlequah had called us and wanted to do it last year, but we’d already made the commitment to Pryor. They said, ‘If anything comes up, we want it in Tahlequah.’ So that’s how it’s happening. We’ve had good support there with sponsors and volunteers, and I know so many musicians from that area. I think this is going to be a great move for us.” 

According to the event’s website, bluegrasschilifest.com, this year marks the festival’s 45th anniversary. (Because of the pandemic, there was no live event in 2020.) Dell Davis has worked on 44 of them, and she shows no signs of stopping. 

“Well, if you asked my friends and family, they’d probably tell you it’s because I’m crazy,” she says with a laugh. “But I just have a passion for the music, and I think live music is so important. The cost of concert tickets has gone up so much that we’re losing a lot of people who can’t go to a live-music thing. There’s nothing like sitting out there in the audience and getting involved with the band playing or the singer singing.”

Those who head for downtown Tahlequah the weekend following Labor Day – Sept. 5 and 6 – will get plenty of opportunities to do just that. Once again, the free event will feature three musical stages – in addition, Davis notes, to the chili cook-off and “the car show, the tractor show, the children’s area, the festival market, all that fun stuff we’ve done for years. And it’s all been free since day one.” 

Headliners this year include Rhonda Vincent, Authentic Unlimited, the Cleverlys, the Grascals, Sister Sadie and others, joining the regional acts on the bill. “Bands like Acoustic Freight Train, the Smith Brothers – they come out and support this event. Otherwise, it would make it difficult for us to have the quality of entertainment we have. 

“Really, there’s a ton of people who make this happen. It’s not just me. I would never take credit for the whole thing. I actually have some volunteers who were volunteering before I took over, and then after I took over. So I’ve got volunteers who’ve done 35 years.” 

She laughs again. 

“You know,” she concludes, “they should get a gold medal.”