Home Blog Page 676

Enhance The Natural

Grieco’s grandmother, also named Nayakio, ran a sustainable coffee farm in Kenya. Photo courtesy Nyakio Kamoche Grieco.

 

In this great, big, complicated melting pot of a world we live in, the demand for simple, natural beauty products meant for all ethnicities and skin types is in demand more than it ever has been before. There is beauty in every culture, and embedded within each culture are countless secrets and stories just waiting to be unearthed, shared and celebrated.

Through her own story, Norman-raised Nyakio Kamoche Grieco is taking the term “getting back to your roots” to a new level by bottling some of her family beauty secrets with her luxury skin care line, nyakio.

A first-generation American of Kenyan descent, Grieco celebrates the unique sophistication of Africa by bringing some of its richest natural ingredients to women of all ages, ethnicities and backgrounds, all while encouraging the relevance and importance of enhancing what she calls the “best natural you.”

“I think that there’s always room for growth within the beauty industry to manufacture more products with more good-for-you ingredients, and I think that it’s important to bring more products to market that tell stories about places all over the world,” she says.

“Beauty comes from the inside out. It’s who you are on the inside that radiates to the outside, and I think that there’s a simplicity in African beauty that stems from simply taking good care of your skin, staying hydrated, eating right, getting enough rest and generally just being happy. One of the things that I really love about Africa is that the people are genuinely happy – smiling, kind-hearted and warm. That general happiness and big smile is really coming from the inside. That kind of happiness naturally makes you a beautiful person on the outside because it’s enhancing your natural you.”

Having moved to Norman from the east coast when she was 8 years old, when her Kenyan father became a professor at the University of Oklahoma (Jidlaph “Jid” Kamoche, who introduced African history to the university, died in 2013), Grieco grew up in Oklahoma during the school year but would spend summers in Kenya.

It was during these trips to visit family that she acquired knowledge and appreciation for the beauty secrets and traditions of her heritage.

After graduating from OU, Grieco followed her passions to Los Angeles, and while working in the entertainment industry, she discovered both her inner entrepreneur and a need she could meet in the beauty market based on the multiculturalism of Africa.
She says that she saw a place for African ingredients and resources in the world of prestige beauty because she wasn’t seeing it being utilized. 

“I had always found it fascinating that there was all this greatness going on in Africa and beauty secrets from my family, and I wondered why nobody is using ingredients from Africa in a big way for all skin types in the world of beauty,” Grieco says. 

“I wanted to give the same representation of my childhood memories going to Africa in my products, where the feel and texture becomes a very sensorial experience. I really want to show the beauty and multiculturalism of Africa, and that not everyone in Africa looks like me. There’s blonde-haired, blue-eyed South African beauties, gorgeous women of Middle Eastern descent in the northern parts, Asian and Indian women… it’s very much like it is here as far as multiculturalism goes. These ingredients that we use in our products have been used for centuries in all parts of Africa. They’re timeless and tested, and I’m very excited to bring them here.”

To achieve this goal, Grieco created a paraben- and sulfate-free beauty line that combines modern, test-driven formulas with natural African staples, such as African oils, Kenyan coffee and the kola nut (a highly-caffeinated, hand-harvested seed from the Ivory Coast).

The running theme of caffeine, which is packed with antioxidants and anti-aging properties, brings to life a universal product with hydrating, revitalizing, smoothing and protecting benefits.

Having a grandmother (her Nyakio namesake) who ran a sustainable coffee farm and a medicine man grandfather, Grieco says that a passion for skin care is in her DNA.

“My grandmother would take the coffee beans and boil them down and add oils and honey and use sugar cane rods to exfoliate her skin. I was always amazed at how she not only harvested the coffee and used the coffee to support her family, but she would also find use for it in skin care,” she explains.

“I would also hear stories from relatives about my grandfather and how as a medicine man he was able to go out into nature and extract oils from things he grew on his farm to treat skin topically or have the ability to know what to find in nature to help his family with ailments. The ability to live off the farm naturally and use the ingredients in skin care really spoke to me on both sides of my family.”

Grieco also has a passion for community work.

As a founding parent of the Larchmont Charter School in West Hollywood, Calif., she helps provide a socio-economically, culturally and racially diverse community of students with an exceptional public education.

She also sits on the committee for the music and arts festival Kidstock in Beverly Hills, which benefits the college scholarship program One Voice L.A. for underprivileged students in inner city schools.

Grieco says she is continually inspired by the children she works with, particularly while volunteering for the nonprofit organization Art of Elysium, which encourages artists to dedicate time and talent to kids who are battling serious medical conditions.

“These kids teach me so much. They see the good in things despite what they may be going through. They don’t get weighed down – and many of them are dealing with major health issues or poverty,” she says. “They choose to celebrate the positive. Talk about beauty from the inside out.”

Oklahomans of the Year

It isn’t an easy task to be recognized as an Oklahoman of the Year by Oklahoma Magazine. After all, ours is a state whose history emerges from strong, independent men and women of mixed backgrounds forging a society.

Of course, in Oklahoma, being granted this honor also means competing with country music stars and world-class athletes – two of our greatest exports. Additionally, it means competing with captains of industry and leaders in fields like energy, biomedicine and advanced agriculture.

However, each year Oklahoma Magazine honors a handful of Oklahomans whose contributions to their communities and to the state stand out for particular recognition. Our list of honorees is by no means comprehensive. For every honoree, we know there are a dozen other residents who warrant consideration, and we hope that one day we will have the chance to spotlight them. It is encouraging to see that some of our honorees this year have been considered on multiple occasions before finally breaking into the honoree list this year.

Oklahoma Magazine is extremely proud of this year’s Oklahomans of the Year, and we hope the diversity of our honorees is not lost on our readers. From health care to film industry development, we feel our honorees represent not just the best of our state, but also the diversity of her amazing people. Oklahoma was built on true grit. But today, it is our diversity that is our strength.


Jill Simpson

Photo by Brent Fuchs.
Photo by Brent Fuchs.

In the weeks to follow, and certainly when it comes to Academy Award season, there is likely to be a lot of talk about August: Osage County, the film based on the play written by Oklahoma native Tracy Letts. Sure, there will be plenty of talk of Meryl, of Julie, of Ewan. But in national media, there might not be much mention of Jill Simpson.

Simpson may not to want to claim credit for the film being shot in Oklahoma, but she deserves it. In fact, several high-profile films have been shot in Oklahoma in the past couple of years, and it’s unlikely any of that would have happened without the humble, hard work of Simpson. Besides the Oscar-buzzed-about August: Osage County, she was also the key to luring mysterious director Terrence Malick to the Sooner State to shoot his under-appreciated To the Wonder, starring Ben Affleck and Javier Bardem.

Simpson serves as director of the Oklahoma Film & Music Office, overseeing a state industry that has had an economic impact of nearly $300 million since 2005. In that role, she markets Oklahoma as a viable location for producing motion picture, television and music projects, and she administers the Oklahoma Film Enhancement Rebate Program, an incentive for film productions. Her office provides resources for every aspect of production, including personnel, locations, equipment and permitting. She also serves as a liaison to Oklahoma lawmakers, community leaders and businesses in an effort to increase awareness of the importance of the film and music industries in diversifying Oklahoma’s economy.

Simpson and her staff have accomplished what they have with a handicap. While other states invest considerable resources in attracting filmmakers, Oklahoma’s is a fledgling, under-funded program that provides post-expenditure reimbursements. By any measure, the efforts of Simpson and staff have earned the state and its businesses many multiples in revenue compared to the pittance offered by the state legislature as rebate to draw films here.

“When I knew they were looking to make a movie of August: Osage County, I first reached out to Harvey Weinstein,” Simpson says. “I began talking to the director two years ago.”

August: Osage County was shot largely in Osage County, and from all media reports, it was a wonderful experience for both cast and local residents.

“We still had to fight to get August shot here,” Simpson says. “States like Georgia have much stronger incentive programs. If I hadn’t been talking to them for years and if the director (John Wells) wasn’t arguing on my side, the film would have been shot in Georgia or elsewhere.”

Simpson knows the realities of Hollywood. Prior to joining the Film & Music office, Simpson spent 18 years in Los Angeles. Her credits include the films Igby Goes Down, Rumble Fish, The War of the Roses, The Serpent and the Rainbow, Stand By Me, Tough Guys, Labyrinth, Sister Act and Delirious and television series Sisters, Lateline and Just Shoot Me.

But August: Osage County must be considered the most unlikely accomplishment. Oklahoma has one of the least ambitious efforts to attract Hollywood productions, despite clear evidence that such productions are boons to the local and state economy and provide jobs for numerous technical experts. Moreover, the rebate program is currently set to expire on June 30, 2014, eliminating the tiny incentive budget the state has provided. The result, as the savvy Simpson points out, is that other states will draw productions Oklahoma might have previously been able to vie for.

“Our’s is a rebate program, not a tax credit program, so money has to be spent to be reimbursed,” Simpson says. “The only thing we rebate are taxable expenses, which put money into the economy first.”

Simpson hopes the State of Oklahoma will find a way to continue to fund the small rebate program – particularly after seeing its successes. But that rests in the hands of a state government that might or might not recognize the benefits of film production in Hollywood.

“Some programs work, some don’t,” she says. “This one obviously does.”

Surving The Holidays

The holidays are the worst time of the year when it comes to trying to maintain a healthy, balanced, weight-loss oriented eating routine (we don't use the word "diet" here). This is particularly true for singles, who often find themselves being invited sympathetically, to numerous events with food and libations! Plus, we have fewer expectations for dinner home with the whole family at 7 p.m. It leads to … bad nutritional things.

Following are a few tips I have read from conditioning and health experts to try to maintain your healthy eating habits through the holidays.

Don't be afraid to say no. You don't have to accept every party or dinner invitation you get during the holiday season, particularly if you feel some are based on sympathy for the single. Go ahead, decline the ones that don't sound like actual fun, go home and stay on our healthy dinner routine.

Don't eat all of the gifts. You're bound to received numerous gifts of food – mostly sweets – during the holiday season, often from co-workers and more distant relatives. Don't feel compelled to eat them. Sample a few and then feel free to share – you might well have friends who appreciate them more!

Don't be afraid to bake gifts. On the other hand, you might have a habit of baking for friends and co-workers for the holidays yourself. Don't give up the habit. It can be thoughtful. Just make sure you taste only as needed.

Stay close to the vegetable tray. Most parties inevitably feature a vegetable tray. When navigating the buffets at countless holiday parties, don't be afraid to gravitate toward the veggie tray. It's a fairly subtle way to stay on a good nutrition path, and you will meet more interesting people.

Keep the stress down. Stress is an inevitable part of the holidays and stress causing unhealthy eating for many people. There is now way to eliminate it, so manage it. If you don't feel like traveling, don't. You should be able to enjoy the holidays as you choose. If you don't want shopping to be too much, tell your family you appreciate scaling back this year. The economy is still atrocious for most, so they will understand. Don't be afraid to set aside time for yourself; and don't be afraid to buy yourself a holiday gift – just for managing to survive the bad food and high anxiety.

-Michael W. Sasser is Oklahoma Magazine’s senior editor and an award-winning journalist. Neither a medical nor a nutrition expert, he shares his personal weight loss journey exclusively with Oklahoma Magazine readers. Reach him at [email protected]

Philbrook Exhibit Theme Should Empower Every Viewer

For my own personal taste, I love smartly curated and thoughtful exhibits of visual arts. While I enjoy exhibits grouped by artist or artists, by common theme, era or influence – or even simply medium – there is something about exhibits that prompt larger-scale thought or contemplation well removed from the typical avenues of art, that truly engage me.

It's no surprise that Tulsa's Philbrook Museum of Art has one such exhibit. Well, to be honest, there might well be numerous such exhibits on display at this amazing museum; but my concentration is on one in particular.

Let me permit Philbrook to introduce the exhibit, Unexpected, as they intended:

"In the early 20th century, inexpensive box cameras suddenly empowered many individuals – without training or experience, often without a basic grasp of artistic practice – to create complex images. The result was a great eruption of picture making, a flow of creative effort in which ordinary people responded to their experience by holding a lens between themselves and the world. The resulting images are now referred to as 'vernacular photography.' Can a photograph taken by a citizen photographer rise to the level of artistic importance? Where does documentation end and art begin? Does vernacular photography have a place in our digital present or future? This exhibition of approximately 40 vernacular photographs will provide a platform for considering these questions and more."

I strongly recommend the thoughtful and those dubious of some of the more elitist aspects of art in major cities back on my home East Coast to see this exhibit. Frankly, it answers the questions presented in its introduction without hammering them home.

Simply brilliant.

The answer, from the perspective of this humble art-lover, to the integral questions of "vernacular art" is yes. Yes, the photographs of an average person rise to the level of art. Yes, there is a nexus of documentation and art – when a simple image moves the viewer beyond the simple representation's ability to so do. Yes, vernacular photography has a place in our digital present and future because it has authenticity.

This exhibit reveals as much, without advocating, inappropriately, the position. Again, brilliant.

The theme of the exhibit reminds me of an anachronistic personal experience. Years ago, a magazine commissioned me to travel to a Midwest state fair to write about the experience and the deeper meaning, to a largely upscale, urban readership. En route, I had a stop in a relatively small city far of the radar of national news. Being a newshound, I had to read the local newspaper. There, on the cover, was an odd image out of context: an upside down kid's bicycle, peddle obviously still in motion, and – blurred out in the background – a blacktop highway in a clearly dim, rainy situation. The accompanying story detailed a tragic accident involving a truck and two young boys. The story was competent and, as typical of a small market reporter, intended to evoke emotion and thought with few actual details.

But the photo, which sadly I recently lost track of, was far more effective. The photographer was a motorist who happened to come by in the wake of the accident. As far as I can tell, he never had another photograph published.

This wasn't just an evocative news photo. The thing is, the photo, standing along, I believe, would have provoked a certain reaction that art does – not your usual front-page news photo reaction.

In today's world, where everyone from children to professionals have the ability to take photos at any time, I think the philosophy of this brilliant and understated exhibit can't be ignored.

It promotes truth and is ultimately democratic.

It would be a shame for such thoughtfulness to go under-appreciated. Please visit www.philbrook.org for more information, make the effort and ask yourself if maybe you can't see images that reflect the human condition on a daily basis.

-Michael W. Sasser is Oklahoma Magazine’s senior editor and an award-winning journalist. For comments or suggestions, reach him at [email protected].

Trans-Siberian Orchestra

Thursday, Dec. 19, and Saturday, Dec. 21

The Trans-Siberian Orchestra is back, and both the BOK Center and the Chesapeake Energy Arena are going to rock for the holidays. Celebrating its first 15 years of touring, TSO will play an encore and final performance of the multi-platinum rock opera The Lost Christmas Eve. The tour stops at the BOK Center, 200 S. Denver Ave., Tulsa, for a show at 7:30 p.m. Thursday, Dec. 19. Tickets are $32.50-$72.50 at www.bokcenter.com. TSO then moves to the Chesapeake Energy Arena, 100 W. Reno Ave., on Saturday, Dec. 21, for shows at 3 and 8 p.m. Tickets are $45.50-$75.50, available at www.chesapeakearena.com.

Joey Crutcher’s Christmas Gospel Celebration

Sunday, Dec. 22, 5 p.m.

The Oklahoma Jazz Hall of Fame presents a special performance of music at the heart of the holidays. Joey Crutcher’s Christmas Gospel Celebration brings Oklahoma Jazz Hall of Fame gospel inductee Crutcher and the Gospel Music Workshop of America back to center stage for a night of favorite holiday tunes and gospel standards certain to move the heart and soul. Show is at 5 p.m. Sunday, Dec. 22, at the OJHF Jazz Depot, 111 E. First St., in downtown Tulsa. Tickets are $15-$20 at www.myticketoffice.com.

Artful holiday

Continuing

The holidays mean that many families get more time to spend together. All that togetherness, however, can sometimes feel like too much. When that happens, check out what the Oklahoma City Museum of Art has installed. Two new exhibits present some of the coolest and most imaginative contemporary works you’re likely to see anywhere. Chuck Close: Works on Paper displays work by the American painter and photographer, but viewers will get a good sense of his printmaking abilities here with an assortment of portraits. The exhibit ends Feb. 16. Come on Down by Lisa Hoke is a mounted wall frieze spanning 150 feet and made of common everyday materials arranged in surprising ways. Who knew paper cups and candy could look like this? The exhibition runs through April 13. The museum is located at 415 Couch Drive, Oklahoma City, and is open daily except on Christmas and New year’s Day. See a schedule and more at www.okcmoa.com.

It’s a Wonderful Life: A Live Radio Play

Ends Saturday, Dec. 21

Who doesn’t enjoy Frank Capra’s 1946 film It’s a Wonderful Life? That staple of holiday tradition airs each year on television to remind us about the importance of neighbors, friends, family and the individual. It’s also one of Jimmy Stewart’s best performances. Carpenter Square Theatre presents a fun stage adaptation of the film. It’s a Wonderful Life: A Live Radio Play continues its run of the play told as a 1940s radio broadcast. You are the live audience as actors create sound effects to put “listeners” into the narrative. The final performance at Carpenter Square Theater, 800 W. Main St., Oklahoma City, is at 8 p.m. Saturday, Dec. 21. Tickets are $16-$21. For more, visit www.carpentersquare.com.

Christmas Concert with Thirty Seconds to Mars

Saturday, Dec. 21, 6:30 p.m.

Brady Theater brings Thirty Seconds to Mars to the stage at 6:30 p.m. Saturday, Dec. 21. The rock band led by actor Jared Leto is just one of four acts booked for the night at 105 W. Brady St., Tulsa. Wear your ugly Christmas sweater and look for New Politics, Filter and IAMDYNAMITE before the main act. Tickets are $35-$37.50 and available in advance at www.bradytheater.com.

LAST CHANCE: The Four Elements

Closes Saturday, Dec. 21

Living Arts of Tulsa concludes its The Four Elements show this weekend. Five artists exhibit pieces from clay, fiber, metal and wood for the annual show that interprets nature in surprising and beautiful ways. The show opens Friday, Dec. 6, with a reception with the artists from 6-9 p.m. at Living Arts, 307 E. Brady St., in the Brady Arts District. Artists participating are Milissa Burkart, Peggy Upham, Teresa Wilbur, Frank Campbell and Barbara Buell. Visit www.livingarts.org for more information.