John Wooley

For eight years now, I’ve been writing, co-producing and co-hosting a television show called Film Noir Theatre. From the beginning, it’s aired on RSU TV,...

On their business card (which doubles as a refrigerator magnet), vocalists Jim Sweney and Chris Campbell have, under their names, the term “music partnership.” Truer...

Like a lot of other people, I watched as the last years of Jack Friedman’s life cascaded out over the Internet, rendered in dialogue-driven vignettes...

“One hundred years ago,” says Harvey Shell, “most everyone in Tulsa would’ve known Scout Younger’s name. Now, no one does.”  Shell, along with fellow historian...

It’s hard for both Brian Parton and me to believe that the last time I interviewed him for a story was more than a quarter...

Just a couple of blocks off Oklahoma 66, down Pine Street in Catoosa, sits the D.W. Correll Museum, an incredible repository of rocks, minerals, fossils,...

Of all the filmmakers and actors I’ve known and/or interviewed over the years, few if any have been more fiercely dedicated to their art and...

As Brett Bingham and I noted in our recent book, Twentieth-Century Honky-Tonk, what might be termed the “modern era” of Tulsa’s Cain’s Ballroom began 48...

Until a recent visit with the up-and-coming singer-songwriter-musician Madeline Kassen, who created her latest album under the name Pisha, I had never encountered the term...

Vida and Daniel Schuman, Oklahoma Magazine’s publisher and president/editorial director, respectively, have graciously allowed my writing to occupy this space for well over 15 years...