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Letter From The Editor

A tribute to the lives lost, at the Oklahoma City National Memorial & Museum.
A tribute to the lives lost, at the Oklahoma City National Memorial & Museum.
A tribute to the lives lost, at the Oklahoma City National Memorial & Museum.

Where were you on April 19, 1995?

I was in the office of my junior high school. It was our second period, and I was an eighth-grade office assistant. I ran errands for the principal and secretary, delivering notes, relaying messages. Our school secretary, Martha Herman, received a call a little after 9 a.m. from a class that was on a field trip in downtown Oklahoma City. The teacher said that there had been an explosion downtown, but that he and the students were okay.

This was before the Internet was available on cell phones, before Facebook and Twitter, before email was widely used as a communication tool between friends and family. Not too many minutes later, word came via breaking news that the Alfred P. Murrah Federal Building in downtown Oklahoma City had been the target of a large bomb. There were 168 casualties. Hundreds were injured. Thousands’ lives were forever changed. The Oklahoma landscape was forever changed.

Later that month, the bus carrying my class on a school field trip to Oklahoma City drove by the bombing site. National news platforms were still set up. There was yellow police “caution” tape rimming hundreds of feet. And the makeshift memorial of notes, flowers and stuffed animals had taken over the chain-link fence that separated the crime scene from the public. It was surreal then, and 20 years later, visiting the Oklahoma City National Memorial & Museum, the events of April 19, 1995, are still surreal, as unbelievable as ever. The photos taken of the carnage and aftermath of the bombing are still difficult to view. It’s hard to believe that evil could strike our state in such a swift and powerful manner.

But good came from the bad. The Oklahoma Standard was born. The state’s reputation for standing behind its citizens in a time of tragedy was put on an international stage. It has been seen many times since in the aftermath of natural disaster and tragedy. Oklahomans stick together. Despite our differences, true Oklahomans take care of each other.

To celebrate this commitment to others, the Oklahoma City National Memorial & Museum has launched the Oklahoma Standard, an initiative to empower the state’s residents to commit one act of service, one act of honor and one act of kindness during the month of April.

Just like my parents will always recall where they were when JFK was assassinated, and my grandparents remembered the moment they found out that Pearl Harbor was attacked, I will always remember sitting in the office of Bristow Junior High and learning about an explosion in the state’s capital. On this 20th anniversary, remember the tragedy. Remember the lost lives. Remember the triumph over evil.

Remember.

Jami Mattox
Managing Editor

Murder for Two

Photo courtesy Lyric Theatre.
Photo courtesy Lyric Theatre.
Photo courtesy Lyric Theatre.

Thru April 12 –

It only takes two actors and a grand piano to command the stage for this big musical comedy. After a writer is killed, small-town Officer Marcus Moscowicz, who has high hopes of becoming detective one day, throws himself into the case, hoping it will land him his dream job. Everyone he runs into, the writer’s wife, a prima ballerina and a psychiatrist, are suspects, and even better, all the suspects are played by the same actor. While music and madness intertwine with the investigation, Moscowicz will race the clock, trying to uncover the killer before the real detective he’s standing in for gets back. This award-winning production, a fun, dead-on portrayal of the murder mysteries of the old days, will be killing audiences with laughter in Oklahoma City through April 12. Lyric Theatre’s stage, 1725 NW 16th St., will become the scene of the crime, and WhoDunit? will be the leading question the next 90 minutes. Tickets start at $25. For more information, visit www.lyrictheatreokc.com.

Kansas

Andrew F. Kazmierski / Shutterstock.com
Andrew F. Kazmierski / Shutterstock.com
Andrew F. Kazmierski / Shutterstock.com

Friday, March 27  

“Carry On Wayward Son,” “Dust in the Wind,” “Point of Know Return,” Journey From Mariabronn” and “Can I Tell You” are just some of Kansas’ records that defined rock in the ‘70s, a sound that would echo through the years in the band’s legendary albums and during its astounding performances. Contributing largely to the classic rock that we know and love today, Kansas celebrated its 40th year of rocking, talent and stardom in 2014. Playing out of a garage in Topeka, Kansas, to on stages around the world, Kansas morphed band mates and band names throughout its career. Early on, the band’s name went from The Reasons Why to Saratoga to Kansas before merging with White Clover members Dave Hope and Phil Ehart. This switching around of talents continued through the years. Kansas’ 1974 self-titled debut album boasted the sounds of Phil Ehart, Dave Hope, Kerry Livgren, Robby Steinhardt, Steve Walsh and Rich Willams. The same roster would carry on to create Song for America (1974), Masque (1975), Leftoverture (1976), Point of Know Return (1977), Two for the Show (1978) and the list goes on, until the 1982 Vinyl Confessions when Walsh left and John Elefante was added on keyboards and vocals. Robby Steinhardt’s sound would be missing from the 1983 Drastic Measures and on the 1986 Power album, Livgren and Hope would leave, and Walsh would return with the sounds of Billy Greer and Steve Morse, adding to Kansas’ shifting but always focused sound. Freaks of Nature in 1995 no longer included Morse, and David Ragsdale and Greg Robert were welcomed. In 2000, the original line-up reunited, along with Billy Greer, in Somewhere to Elsewhere. Phil Ehart and Rich Williams would be the only two artists to secure their talents on all of Kansas’ albums. Today, the touring band includes guitarist Billy Greer, violinist Dave Ragsdale, guitarist Richard Williams, lead vocalist Ronnie Platt and keyboardist David Manion. Continually electrifying eardrums as Kansas, they will be at the Grand Casino Hotel & Resort on Friday, March 27. For more information, visit www.grandresortok.com.

The Three Musketeers

Photo courtesy Tulsa Ballet.
Photo courtesy Tulsa Ballet.
Photo courtesy Tulsa Ballet.

Opens Friday, March 27

Based on the 1844 novel by Alexandre Dumas, The Three Musketeers will bring revenge, duels, trickery and triumph to the Tulsa Performing Arts Center’s stage. D’Artagnan, a young man without fortune, travels to Paris with hopes of joining the King’s Musketeers. In a case of mistaken identity, D’Artagnan instigates a duel with Porthos, one of the men he hoped to join. During the duel, they come under attacked by the villainous Rochefort and his guards of the Cardinal’s regiment. D’Artagnan realizes who he’s fighting and decides teams up with The Three Musketeers – Athos, Porthos and Aramis – to overpower the guards. “All for one, one for all” links the four together, setting the classic in motion. For the rest of the performance, audience members will see the talent and grace of the Tulsa Ballet swing, leap, kick and fly through adventure after adventure as D’Artagnan and The Three Musketeers fight to return the Queen’s diamond necklace before her love affair with the English ambassador, Buckingham, is made public by the Cardinal and Milady. Will D’Artagnan and The Three Musketeers save the Queen’s honor? Constance, the queen’s lady-in-waiting, captivated by D’Artagnan, a mutual feeling, believes they have what it takes. The Three Musketeers will swing into the Tulsa Performing Arts Center on Friday, March 27. The adventure continues through Sunday, March 29. For more information, visit www.tulsapac.com.

Chris Tucker Live 2015

Photo courtesy Brady Theater.
Photo courtesy Brady Theater.
Photo courtesy Brady Theater.

Friday, March 27

Chris Tucker, wildly known as Jackie Chan’s hilarious FBI “baby-sitter” turned sidekick and crime solver in the Rush Hour movies, brings his live stand-up routine to Tulsa. In 1990, eight years before the original Rush Hour was released, Tucker began exploring his comedic talents on the stage of Russell Simmons’ HBO series, Def Comedy Jam – a stage that welcomed other prominent comedians including Dave Chappelle, Bernie Mac, Cedric the Entertainer, Chris Rock and Eddie Griffin, to name a few. You may also know Tucker from his big screen debut in the 1995 film Friday, where he played Smokey, the drug dealer who smoked all the product sending him and Craig (Ice Cube) on a search for money to pay back the boss. And in 2012, Tucker secured himself a small role in Silver Linings Playbook as Bradley Cooper’s best friend who Cooper’s character, Pat Jr., helps break out of their mental facility. A comedian for the better part of his life, Tucker is extremely comfortable on a stand-up stage. You can see him live on Friday, March 27 at Tulsa’s Brady Theater, 105 W. Brady St. For more information, visit www.bradytheater.com.

Carnivale 2015: Cabaret

Photo courtesy Mental Health Association Oklahoma.
Photo courtesy Mental Health Association Oklahoma.
Photo courtesy Mental Health Association Oklahoma.

Saturday, March 28  

This year’s Carnivale is set to be “an evening of splendid frivolity and amusements.” Patrons in their best “flirtatious” black-tie attire will converge at Cox Business Center, ready for an exquisite night with dinner, dancing and authentic Cabaret performances. The annual event benefits the Mental Health Association Oklahoma’s efforts that “provide almost 850 units of safe and affordable housing, along with access to support groups, advocacy, treatment, legal counseling and other community supports” to those affected by mental illness. Carnivale, conceptualization by Suzanne Warren, and its inaugural party in 1990, at the time called Le Masquerade, helped open the Mental Health Association Oklahoma’s first housing program. Since, whether called Le Masquerade or Carnivale, it has made countless strides that support the association and those with mental illnesses. This year’s event co-chairs are Patricia Chernicky and Cheena Pazzo. Honorary Chairs are Becky and Barry Switzer. Join them, Suzanne Warren, other committee members and sponsors for an incredible night that works to change lives, on Saturday, March 28, at 6:30 p.m. Sponsorship opportunities are available. For more information, visit www.bestpartyintown.org.

Pentatonix

Photo courtesy Brady Theater.
Photo courtesy Brady Theater.
Photo courtesy Brady Theater.

Saturday, March 28

This Billboard topping vocal quintet is comprised of Scott Hoying, Mitch Grassi, Kirstin Maldonado, Avi Kaplan and Kevin “K.O.” Olusola. In every mash-up, cover or original it creates, Pentatonix intertwines each member’s voice and/or beats to create unique interpretations and fresh, innovative material. With a rise to fame on the popular video sharing site YouTube, Pentatonix currently has more than 7 million subscribes, with the number growing alongside its reputation. Some of its top YouTube sensations include a Daft Punk mash up with more than 126 million views, its “Evolution of Music” with more than 58 million views and its cover of Imagine Dragon’s “Radioactive” with Lindsey Stirling bringing in more than 98.5 million views. In November 2014, they released a Christmas album, That’s Christmas to Me, which debuted No. 9 on Billboard’s Top 200 chart. Since 2012, Pentatonix has released three singles and six albums, its last four albums, which were released within the same year, all debuted Top 10. The talents of this group meld so well that you’d think there was a full band playing behind them, and on Saturday, March 28, at Tulsa’s Brady Theater, you’ll see that their vocal cords do all the work. For more information, visit www.bradytheater.com.

Zemer Peled

Photo courtesy Puder PR.
Photo courtesy Puder PR.
Photo courtesy Puder PR.

Saturday, March 28

Zemer Peled was born and raised in Kibbutz, Israel. She studied art at Bezalel Academy of Art and Design, receiving her bachelor’s degree, and at Royal College of Art, where she received her master’s. Her artwork has been featured in museums and galleries all over the world. Using thousands of ceramic shards, Peled constructs small and large sculptures and installations – both freestanding and hanging. On Saturday, March 28, she brings her artistry to Tulsa, allowing spectators the opportunity to see her construct Large Peony and Peeping Tom at the Tulsa Jewish Retirement and Health Center. You may have seen this five-foot-tall sculpture at 108 Contemporary last fall during the Twist and Turns exhibit. “This sculpture, like all of my work, is a deeply personal reflection of my perspective on the world,” the event’s press release quotes Peled saying. “I am thrilled that the sculpture will make its permanent home in Tulsa.” She’ll use porcelain shards, clay and metal to erect a beautiful sculpture. The shards’ sharp edges flow upward, sprouting flowers along the way and is reminiscent of an underwater reef. Take a step back and you won’t believe that porcelain shards make up this masterpiece. She will begin working at 8 a.m., and spectators are welcome to watch through the entire process. The event will take place at 2025 E. 71st St., Tulsa, OK 74136. Don’t miss this one-of-a-kind show. http://zemerpeled.com/

The Dream of America

shutterstock_118789486

Saturday, March 28  

The Oklahoma City Civic Center Music Hall welcomes the Oklahoma City Philharmonic’s The Dream of America. The production, directed by Harry Parker, will include Dvorak’s Symphony No. 9 (“From the New World”) and Boyer’s Ellis Island: the Dream of America. The audience will hear two flutes and piccolo, two oboes and English horn, two clarinets, two bassoons, four horns, two trumpets, three trombones, timpani, triangle, cymbals and strings during Symphony No. 9, which Dvorak composed between 1892 and 1893 as director of the National Conservatory of Music in New York. It was hailed by the New York Evening Post as “the greatest symphonic work ever composed in this country.” Dvorak, born in what today is the Czech Republic, titled the piece to reflect the “impressions and greetings from the New World.” Composed in 2001-02, three flutes (third doubling piccolo), three oboes (third doubling English horn), three clarinets (second doubling bass clarinet, third doubling alto saxophone), three bassoons (third doubling contrabassoon), four horns, three trumpets, three trombones, tuba, timpani, a large percussion section, harp, piano (doubling celesta), and strings, in addition to seven actors (four female, three male) tell the story of Boyer’s Ellis Island: the Dream of America, which is said to be Boyer’s most ambitious work and “his most frequently presented original composition … receiving more than 150 live performances by more than 65 orchestras,” says the Oklahoma City Philharmonic’s program notes. Celebrating immigrants coming through Ellis Island in search of the American dream, it brings to the stage music, theatrics and imagery that lean on one another for a complete telling and experience. Spoken text as part of the production comes from the Ellis Island Oral History Project, and Boyer chose seven of the personal stories the project entails, creating monologues using their own words. The Oklahoma City Philharmonic will perform these two masterpieces beautifully on Saturday, March 28, starting at 8 p.m. For more information, visit www.okcciviccenter.com.

Celebrating the Art of Healing

Photo courtesy Cancer Treatment Centers of America.
Photo courtesy Cancer Treatment Centers of America.
Photo courtesy Cancer Treatment Centers of America.

Saturday, March 28

The 11th annual Celebrating the Art of Healing, sponsored by St. John Health System, Saint Francis Hospice, Cancer Treatment Centers of America and the Leukemia & Lymphoma Society, is titled “Finding Balance in 2015,” and this year’s keynote speaker emphasizes finding that balance between mind, body and spirit. Shannon Miller, gymnast, seven-time Olympic medalist and an Oklahoma native, was diagnosed with ovarian cancer in 2011. She fought a hard fight and can now say she’s a cancer survivor. Celebrating the Art of Healing is open to survivors, families, friends and medical professionals, bringing them together to celebrate life, love and hope and to promote health and wellness habits that better the lives of those battling cancer. “I like to highlight the lessons I learned through sport that helped me in my journey,” Miller said about sharing her experiences. “Whether it’s goal setting, making sure you have a supportive team or identifying your new normal, these lessons are things that anyone can lean on during those difficult times. No matter where you are in your journey, it’s important to know that you are not alone.” For all who’ve seen and experienced the face of cancer, meeting someone who’s survived the disease and overcome the challenges is empowering and offers hope. The symposium will also highlight fitness and nutrition, personal narrative, laughter yoga, relaxation, intimacy after treatment, guided imagery and more. Breakout session will be led by local professionals. Celebrating the Art of Healing is on Saturday, March 28, from 8:30 a.m. to 2 p.m. at St. John Medical Center. Lunch will be provided. For more information, visit www.stjohnhealthsystem.com or call 918-744-0123.