Photo by Michael Wilson, courtesy Big Hassle Media.
Photo by Michael Wilson, courtesy Big Hassle Media.
Thursday, May 8, 8 p.m.
A singer of the renown and repute of Lyle Lovett could stand on stage alone for an hour humming, and it would still be worth checking out. Lovett puts more in five bars of music than some recording artists fit into an entire deluxe edition.
So when the man who usually travels with His Large Band decides to scale it down with an acoustic ensemble for his latest concert tour, it’s enough to make Lyle’s Lovettes and the rest of his massive fan base inwardly squeal. Yes, sometimes in Houston, less is more.
A four-time Grammy Award winner with numerous other awards to his name, Lovett titled his latest album Release Me, and it features the curious blend of toe-tapping rhythms, quirky lyrical touches and influences from soul, jazz and other music genres, which have become Lovett’s hallmarks.
When he’s not paying homage to one of his musical heroes, recording contributions to cool tribute compilations or making appearances in films and on TV, Lovett is endearing himself to appreciators of fine songwriting and good music by tipping a hat to classic country, swing and more. As the song goes, “That’s right, you’re not from Texas, but Texas wants you anyway.”
How can you turn that down?
Tulsa loves Lovett, who returns to town for an acoustic show at 8 p.m. Thursday, May 8. Lovett plays the Brady Theater, 105 W. Brady St.; doors open at 7 p.m. Tickets are $45-$65 and are available by phone at 866.977.6849 and online at www.bradytheater.com.
Plaza Towers Elementary teacher Lindsie Wright protected students in the school during the deadly tornado. Photo by Brent Fuchs.
The aftermath of the may 20, 2013, tornado can be seen in this photo taken soon after the storm. Photo by Jessica Kirsh/Shutterstock.com.
Some dates on the calendar remind us of the worst that can happen. Americans recall the destruction and terror of Sept. 11. Oklahoma residents will always remember May 3 – the first of two days in 1999 when more than 70 powerful tornadoes touched down all over Oklahoma and in parts of Texas and Kansas, killing 40 people in total.
Now, May 20 has been added to that list. That notorious day – less than 24 hours after another storm destroyed central parts of the state – an EF-5 tornado struck the city of Moore, annihilating everything in its path.
Another spring has arrived, and Oklahomans realize the risks of living in Tornado Alley. They make preparations – both physical and mental – and go on with life. Most continue their work, play and business with little thought of weather threats; some even relish the season and the occasional squall. But last year, when the world watched via live television feed as a massive storm approached, struck and gutted Moore and southern parts of Oklahoma City, most felt helpless, horrified or both. And when the reports streamed out of the center of devastation – two elementary schools shredded, a horse farm leveled, homes and businesses gone, 24 human lives lost, hundreds injured – the threat was too present, too close.
For the community, the year since Monday, May 20, 2013, has been focused on rebuilding structures and lives. But it is certain, we won’t forget, and neither will those who witnessed it firsthand.
Buffalo Hunt, circa 1992, by Allan Houser.
Image courtesy Allan Houser Inc. and Fred Jones Jr. Museum of Art.
Allan Houser as artist-in-residence at Dartmouth College in 1979. Photo by Matthew Wysocki, courtesy Allan Houser Inc.
Teenagers gather along Gilcrease Museum’s broad, hallowed halls, after viewing the exhibit Form and Line, but the chatter dissolves when entering the gallery. Eyes adjust to the dim scene, but not quickly enough. And then, you encounter something sacred – rows of small shrines, faces, limbs. And the light falls upon each work of art, giving full effect to the name of its creator.
By all accounts, Allan Houser was a humble, kind man who spent every spare minute in his art studio. He painted, drew and sculpted to such a degree that his prolific career astonished his family, colleagues and supporters. He received the esteemed Guggenheim Foundation Fellowship in 1947, the same year Thomas Gilcrease began collecting Houser’s work. He served as the artist-in-residence at Dartmouth College in 1979. In 1992, he became the first American Indian to receive the National Medal of the Arts; in the last decade of his life, he had major solo art exhibitions in Berlin, Tokyo, Paris and Vienna.
“Those are all pretty remarkable achievements for any artist, but especially for this rural Apache farm boy who got this idea in his head that he could be a fine artist and proceeded to demonstrate that he was … it’s an American success story,” says W. Jackson Rushing III.
Rushing is the University of Oklahoma Adkins Presidential Professor of Art History and the Mary Lou Milner Carver Chair in Native American Art. Rushing wrote Allan Houser: An American Master and says the artist’s story is about survival. If that’s true, Houser’s story is far from over.
Like Gilcrease, museums across the states of Oklahoma, Arizona, New Mexico and others are honoring the late artist in 2014, the centennial year of his birth. While these exhibits tend to focus on different areas of Houser’s career, together they create a vivid picture of a complex individual who challenged notions of American Indian art by satisfying a need for creative independence. Whether teaching a class or by his inexhaustible example, Houser was an inspiration to those who knew him and to those who wish they had.
According to a recent Center for American Progress report, no other state in the nation ranks as consistently bad as Oklahoma does.
The report, “The State of Women in America: A 50 State Analysis of How Women are Faring Across the Nation,” presented it findings in the categories of economic security, leadership and health of women and families. Oklahoma ranks 48 out of 50.
The high female incarceration rate, double the national average for more than a decade, places Oklahoma as the No. 1 state for women in prison.
Also in the report, Oklahoma comes in dead last concerning women’s health issues, has the third-highest maternal mortality rate and is among the top 10 worst states for infant mortality.
The state has the second lowest rate of obstetricians and gynecologists for its population of women, ranks third worst in the nation for domestic violence and has become a central hub for an increasingly alarming issue for women: human trafficking.
“There are a lot of women in Oklahoma doing very well, and these women tend to work hard to try to raise all women up with them,” says Lou Kohlman, chair of the Oklahoma Commission on the Status of Women, a state advisory board. “We’re fortunate in that respect. If you’re a woman in Oklahoma, you may not feel like this is a bad place to live, but that may be because we just don’t see where we could be because we’re used to where we are.
“It’s important to look at the larger picture, and look at the picture of what women in other states enjoy that we don’t even know we miss,” she continues. “For example, if you don’t realize what a difference it makes to have more women in your legislature, then you don’t necessarily understand why that’s important. Women in the legislature changes the nature of the conversation for women. There are different topics on the table, they’re considered differently, and this effects serious change. Policy makers talk a lot about family values, but not a lot of our policies reflect a real respect for women’s lives. If we had more focus on those things we’d see everybody in the state benefit.”
While studies show that Oklahoma statistically struggles where women are concerned, in other ways it is also a good place for women to be. Kohlman emphasizes that a lot of good things happen here.
“There’s some great conversations being had about women, and there are a lot of people working very hard to not only improve the lives of women, but also to draw more women into the conversation,” she says. “By bringing more women together to talk about these issues, we can change the nature of the conversation, raise more awareness and visibility within our communities, and make a difference.”
Carmelita Skeeter, Executive Director, Indian Health Care Resource Center. Photo by Brandon Scott.
CARMELITA SKEETER
Distinguished both locally and nationally for her expertise on a wide range of critical health issues and policies, Carmelita Skeeter has served as executive director of the Indian Health Care Resource Center in Tulsa for the past 25 years.
As leader of the nonprofit organization, she has played a crucial role in building IHCRC into a comprehensive, quality healthcare facility since its beginning, as she strives to eliminate health disparities and improve the general health status of Tulsa’s American Indian community.
A seasoned healthcare advocate, Skeeter says that in the time that she has been with IHCRC, the biggest issues she sees with women are poverty and lack of education, both of which have a tremendous effect on health.
“I’m seeing third generations in families now. We have some very good stories of evolving, and then we have some stories that aren’t so good. A lot of times a family that is extremely poor continues (in poverty) for generation after generation. It’s hard to get out, and we see many, many single mothers in this situation,” Skeeter says.
“We still live in a very male-dominant society. Men seem to have it easier making a living – they still earn higher wages than women do – and taking care of the children almost always falls upon the mother. This makes it much more difficult for women when it comes to making a living and raising children, especially if you’re a single mother,” she says. “We have women who come in that we’ve worked with who have continued their education, but there are always so many that are constantly struggling. We see the entire spectrum, and I think it’s a reflection of what’s going on with all races of women across the state.”
Despite progress made over the years with the availability of health services on the state and federal levels, Skeeter says that Oklahoma’s faltering statistics show there’s plenty of room for improvement, particularly when it comes to funding education and childcare.
To educate the American Indian community on healthy lifestyles and habits, IHCRC partners with organizations to promote community gardens and farmers markets. It also offers classes on nutrition, health-conscious shopping choices and cooking so that clients can learn how to prepare healthy meals for themselves and their families.
“I think that there are so many things going on in your life today that eating healthy meals takes time and planning, and believe it or not, this is something that many people have to learn to do,” Skeeter explains.
“Many of our young, single mothers have no idea how to cook because they’re accustomed to fast food, which is quick and cheap,” she says. “Women play such a crucial role in family health. They are the primary caregivers in their families; if you start with women getting their own health in check, there is the opportunity to impact everyone else in her family. If mom’s healthy, everyone has a better chance of being healthy.”
Austin Holland is a survey researcher who monitors the state’s earthquake activity. Photo by Brent Fuchs.
Austin Holland is a survey researcher who monitors the state’s earthquake activity. Photo by Brent Fuchs.
Although Oklahoma generally experiences few earthquakes, the state has seen a drastic increase in frequency within the past two years. This came as a surprise to everyone, including some scientists.
Austin Holland, a survey researcher with the Oklahoma Geological Survey, shares his perspective.
What’s causing the recent earthquakes in Oklahoma?
Oklahoma has a long history of seismic activity. The first documented earthquake in Oklahoma occurred in 1882.
Oklahoma has a long history of earthquake monitoring. The Oklahoma Geological Survey has operated a modern seismic network for 35 years and employed a seismologist to work with the data.
Oklahoma has a greater potential for earthquakes than many places in the mid-continent. The largest earthquake we know to have occurred in Oklahoma happened on the Meers Fault about 1,300 years ago and was about a magnitude 7 earthquake. So clearly there is potential to have a large earthquake.
Oklahoma has seen a dramatic increase in the number of earthquakes. This means that we are also seeing more earthquakes being felt by residents. We know that the earthquakes are in response to naturally occurring stresses. We don’t know whether or not fluid injection from oil and gas activities is having an appreciable effect on helping to release that naturally occurring stress as earthquakes.
Can these origins be traced to man-made causes?
We do see some earthquakes likely triggered by man-made causes. There is a real challenge in identifying which may be man-made and which are naturally occurring. The reason this is a challenge is that these oil and gas activities have occurred for a long time in Oklahoma, and the earthquakes are occurring over very broad areas. In addition, there is very little data available to help address these issues because they have never been issues in the past. It is also very difficult to know what the conditions are deep within the Earth or to observe whether man’s activities have dramatically altered those conditions. We still continue to examine these issues, though.
How likely is it that the number of earthquakes per year and the size of these earthquakes will increase?
Seismologists cannot predict earthquakes, and so we have no way to know what the future holds. We don’t know whether this increase in earthquake activity will continue, or if things will begin to quiet down, but it is not unreasonable – given the current level of seismicity – to assume that the earthquakes will continue for some time with more events being felt by local residents.
The only thing savage about the 1491s American Indian sketch comedy group is its satire. Photo courtesy the 1491s.
In April, the 1491s posted on their popular Facebook page that the American Indian comedy group would no longer make videos, and fans were quick to voice their disappointment. Then someone pointed out it was April Fools’ Day.
“It’s all improv. We’re still making it up as we go along,” says Ryan RedCorn, one-fifth of the team known as the 1491s. The group of Dallas Goldtooth, Sterlin Harjo, Migizi Pensoneau, Bobby Wilson and RedCorn formed after they made an impromptu video in 2009 lampooning auditions for the wolf pack in The Twilight Saga: New Moon film, which had just been released. The collaboration worked, and the five have since continued to make sketch comedy videos, many satirizing alarmingly perpetual stereotypes of American Indians, some poking fun at the life and personalities of Indian Country. Some videos make strong points with subtlety: The “Smiling Indians” video conveyed its subjects as ordinary, happy people. It was viewed thousands of times on YouTube and brought the 1491s national attention.
Together, they represent the Dakota, Muscogee (Creek), Navajo, Ojibwe, Osage and Seminole tribes; they are writers, poets, activists and artists. While three call Oklahoma home, two – Wilson and Goldtooth – live in Minnesota. None consider themselves comedians, but they’re unabashed fans of Jon Stewart, Dave Chappelle and Stephen Colbert, comics casting a critical eye on the day’s absurdities and hypocrisies with stinging humor.
Through their video sketches, social media posts, live performances and speaking engagements, the members of the 1491s do the same.
“It’s not rocket science, but it does come with a certain amount of precision,” RedCorn says.
Raindrop Turkish House hosts a weekly Friday Night Social at its Broken Arrow center. Photo by Brandon Scott.
Raindrop Turkish House hosts a weekly Friday Night Social at its Broken Arrow center. Photo by Brandon Scott.
You are invited. The Raindrop Turkish House welcomes everyone to enjoy traditional cuisine, art, music and dance.
Raindrop goes beyond the role of a community center for local Turkish-Americans. The organization acts as an ambassador, encouraging friendships and conversation between cultures through programs that are open to all. Raindrop hosts Turkish language and history classes, cooking classes, water marbling classes and women’s coffee night discussions.
“As the seat of the Ottoman Empire, Turkey has a history of multiethnic, multifaith inclusion,” says Raindrop spokesperson Omer Akdeniz. “We think by sharing and celebrating the diversity of our communities, everyone will understand one another better and be more enriched.”
People seem excited to learn about the culture, he says.
“We have also felt welcomed in the community. That has really helped us as an immigrant community to get settled and feel part of the city,” Akdeniz says.
Many of Raindrop’s cultural events center around food and hospitality.
“Because of the location of Turkey and its Ottoman past, we have a pretty diverse kitchen,” he says. “We are famous for our kebabs and our baklava.”
For the past four years, Tulsans have gotten a taste of this Turkish fare at Raindrop’s biggest event, the Turkish Festival, this year on May 3. Last year, the free event attracted about 5,000 guests, who immersed themselves in the culture.
“We bring artisans from Turkey,” says Akdeniz. “We have whirling dervish performances. There is a huge offering of Turkish food and crafts.”
These education and entertainment events help Raindrop maintain its culture from within, as well.
“We help Turkish-Americans to preserve their Turkish identities by providing them ‘home away from home,” says Akdeniz. “We are proud of our heritage and don’t want to lose the sights, sounds, flavors and values of our culture.”
The organization also wants recent Turkish immigrants to feel comfortable in their new country.
“That might be through English language courses or just helping them figure out something as simple as how and where to rent an apartment,” he says.
Raindrop offers a great balance of services and celebrations that allow Turkish-Americans to thrive in their new country while maintaining their culture and passing it on to future generations.
“The United States is such a great place because there are so many people from so many different places that have all shared pieces of their heritage,” Akdeniz says. “We want to add to that mix.”
Janelle Monae plays several summer festivals in 2014, including the roots picnic and bonnaroo.
Photo by Aija Lehtonen, www.
shutterstock.com.
Janelle Monae plays several summer festivals in 2014, including the roots picnic and bonnaroo. Photo by Aija Lehtonen, www. shutterstock.com.
With so much outstanding music coming out, it would be a shame to not take in a few concerts, and summer is buzzing with the hottest tickets. Music festivals bring the brightest stars and rising acts recording today and on tour to shrines of fun, outdoor revelry.
Wade into summer music festivals and get your fix for exploration and adventure in the bold cities and towns that host them.
Seventh Annual Roots Picnic
Saturday, May 31- Philadelphia, Penn.
Line-up: The Roots, Snoop Dogg, Janelle Monae, The War on Drugs, Araabmuzik, Rudimental, Action Bronson, A$AP Ferg, Bad Rabbits, Biz Markie, Jhene Aiko, more
How many hip-hop fans can you fit on the Festival Pier at Philadelphia’s Penn’s Landing? The answer is irrelevant, because they’re not actually on the pier, and the picnic that’s actually a one-day festival attracts an audiences that grows larger every spring, and The Roots haven’t hit their limit yet. www.rootspicnic.com
Bonnaroo Music and Arts Festival
June 12-15 – Manchester, Tenn.
Line-up: Elton John, Jack White, Kanye West, Vampire Weekend, The Avett Brothers, Skrillex, Arctic Monkeys, The Flaming Lips, Neutral Milk Hotel, Janelle Monae, Andrew Bird & the Hands of Glory, Lauren Hill, Wiz Khalifa, Nick Cave, more
For four days, music revelers of all walks and ages witness a series of recording artists and performers in a variety of musical styles on a great outdoor stage – and no one ever, ever complains that the music is too loud. Considered one of the best festivals around for music, Bonnaroo also makes room for comedy, sustainability, crafters and children. Camp out to get the best experience. www.bonnaroo.com
Firefly Music Festival
June 19-22 – Dover, Del.
Line-up: Foo Fighters, Imagine Dragons, Beck, Outkast, Jack Johnson, Phantogram, the Lumineers, Pretty Lights, Tegan and Sara, Courtney Barnett, Local Natives, Arctic Monkeys, Iron & Wine, Sky Ferreira, more
Bonnaroo may have been the inspiration, but the Firefly Music Festival has quickly developed its own identity as a premier summer music festival for the East Coast. Complete with camping, local partnerships and a nod to environmental friendliness, this festival prides itself on bringing top national acts to a stage nestled in a woodland setting and with an arcade tent planted somewhere among the fun. www.fireflyfestival.com
Sled Island
June 19-22 – Calgary, Alberta, Canada
Line-up: Neko Case, St. Vincent, Rhye, Spiritualized, Chelsea Wolfe, Blitzen Trapper, Rocket From the Crypt, Joel Plaskett Emergency, Mission of Burma, Touche Amore, more
You’ll need your passport to join this northern escape for some of indie rock’s coolest acts. Calgary’s Sled Island is not really an island, but the festival hopes to inspire its audience by sending them into unusual venues for concerts and introducing new acts to the stage. Never heard the band Quaker Parents? Neither have we, but that’s okay. “This festival caters to people who aren’t intimidated by not knowing something,” states the website. www.sledisland.com
Summerfest
June 25-29 and July 1-6
Milwaukee, Wis.
Line-up: Bruno Mars, Lady Gaga, Brad Paisley, Outkast, Dave Matthews Band, Usher, Zac Brown Band, Ray LaMontagne, Melissa Etheridge, Bonnie Raitt, Matisyahu, Neon Trees, Airborne Toxic Event, The Head and the Heart, more
Some outdoor festivals become grazing pastures when the last camper has rolled out, but Summerfest never really ends. The festival has been going strong since the 1970s at the Henry Maier Festival Park on the shores of Lake Michigan. Hosting close to a million people annually by attracting the biggest stars, “The Big Gig” shows no signs of drifting away. www.summerfest.com
The formal dining room features a mahogany Art Deco dining table and is accented with hand nailed and stamped nickel chairs from India. Photography by Corbin See.
Carson and Marsha See live in a home that was born with a pedigree. Located in an historic area near downtown Oklahoma City, the couple’s Georgian-style home gives the impression of Old World tradition. Among the home’s claims to fame is it was built by designers of the Oklahoma State Capitol, Layton-Smith-Forsyth Architects.
Ascend the cast stone porch, open the front door and you are in an art museum. A contemporary sculpture fashioned from canoe bark is an immediate eye-catcher.
Continue the journey and experience a world of design styles and period furnishings. Some of the most famous are represented: 18th-century French, Louis XVI, Art Deco, Art Nouveau, Ming Dynasty, Memphis-Milano and Modern. There’s a nod to Western decor with paintings by Taos masters Bert Phillips and Nicolai Fechin and contemporary artists John Moyers and Ned Jacobs.
As one of Oklahoma’s preeminent interior designers, Carson See doesn’t follow trends. The home reflects the couple’s zest for creating an eclectic showcase within the 5,000-square-foot, stately interior.
The home is a travelogue – a global journey through hemispheres of unique furnishings and accessories. Every room reveals a different design period along with artifacts from sojourns abroad.
The 1920s home has not always expressed its museum-quality stature. It had none of the amenities homeowners now expect when the couple purchased the home 25 years ago.
“There was no air conditioning, dishwasher or laundry facilities,” See recalls. The plumbing and wiring would soon reveal their inadequacies. The Sees purchased the home knowing they faced months of renovation.
“I lived in Nichols Hills for 12 years, and I wanted a big house with rooms proportioned for our lifestyle,” he says.
Structurally, the home had exquisite bones. Few walls were removed, so the home’s architectural character remained intact throughout several renovations. Air conditioning was installed, plumbing updated and the original red tile roof was removed and a new one installed.
See also painted the interior in soft paint colors he invented, including “Carson Beige” – his signature hue. These muted tones enhance the comfortable spirit of each room, providing a neutral backdrop for brilliant colors found in furnishings and accessories.
For 30 years, See’s design studio was a fixture in Nichols Hills Plaza. A decade later, his desire to live and work near downtown prompted the purchase of a vintage drug store, now his studio.
The Sees’ sons, Corbin and Ross, worked with their father while in high school. Now, both are partners in the family business, Sees Design. Corbin See’s wife, Sara, joined the team in 2004. The family creates cutting edge interiors, including a line of furnishings featured in David Sutherland’s prestigious Dallas showroom.
With an interest in all things vintage, the couple enjoys adding unique heirlooms to their home.
“I’ve collected art glass from Paris for years,” See says. “Whenever we travel, I find things I want to take home, especially if they are old, authentic, look 18th century or even modern.”
Throughout each home renovation, the Sees have taken care not to disturb the home’s character.
“Having done so much work on the home, I don’t know why I would ever want to move again,” See says, laughing.
Editor’s note: Carson and Marsha See recently sold their long-time family home to their son, Corbin See, and have since moved to a 1930s Art Deco home in another Oklahoma City historic neighborhood. The family plans to continue celebrating holidays and gatherings in the old home. The Sees, no doubt, have plans for their new house in the works.
Fred Williams, a WNBA coach for many years, now heads the Tulsa Shock. Photo by Brandon Scott.
Fred Williams, a WNBA coach for many years, now heads the Tulsa Shock. Photo by Brandon Scott.
Growing up playing basketball with Reggie Theus might have prepared Fred Williams for the tough job he has ahead of him as head coach of the WNBA Tulsa Shock.
Williams says that Theus, who played for the Chicago Bulls and is now men’s head coach at California State-Northridge, “beat him off and on” at games when they were growing up in Compton, Calif.
“There’s a big challenge ahead, and I’m up for challenges,” he says. “I know things are tough and shaky, and that’s why I’m here – to help and to give some of my basketball knowledge as a coach and myself as a person for the city of Tulsa.”
Williams has gained a good idea of the team’s strengths and weaknesses from watching game footage and playing against the team, and he knows “we have to get better defensively over our opponents to lower the scores and create an opportunity for the offense.”
He says he plans to help the team move in this direction by relying on what has worked for him the past six years as head coach of the Atlanta Dream.
“My philosophy is to run fast break [offense] and play up-tempo basketball. It’s been proven to work, and I coached one of the top two teams in scoring. I want to bring that exciting play offensively and then shut down some people defensively,” he says.
Williams coached the Atlanta Dream team as either the head or assistant through three conference championships and three trips to the WNBA finals. Williams coached the University of Southern California women’s team to a national championship in 1983 with future WNBA greats Cynthia Cooper and Cheryl Miller. He also focused on coaching other WNBA teams, such as the Charlotte Sting and the Utah Starzz.
“I enjoyed coaching [women] in my 10 years at Southern Cal, and then getting into the pro side of things,” he says. “It gives you more freedom just to coach and teach every day versus college, where you have to do a lot of recruiting and making sure players are in class. You do four to six months of coaching on the court and then time on evaluating the players and the draft after that.”
His primary goal with the Shock players is to help them develop “that mental toughness as a team to know that you can win, you can build something and finish. I think a lot of these young ladies have been here to build something in a short amount of time, and now it’s time to take it to another level,” he says.
The Shock has not fared well since relocating to Tulsa from Detroit in 2010. Over the last three seasons, the team’s record has been 29-107 with no trips to the playoffs. In each of the last seven years at Detroit, the Shock made it to the playoffs, and it won the WNBA championship three times.
That record explains why Williams knows “the mental game is important, and we have to have that at the beginning. It’s not easy in this league to beat anyone, but we can build our mental toughness and face our opponents by having respect without fear.”
In the off-season, Williams plans to “see some of the high school games, work on some youth programs for kids in the area and make some speaking engagements to motivate the players who have a dream to be in the WNBA.”
With an emphasis on reaching out to the community, Williams believes he has much to offer Tulsa that goes beyond a winning pro basketball team.
“I’m a guy who is fair, who gives a lot of energy, who really cares for the youth in the community and around the city,” says Williams. “I’m a person that knows relationships take energy, and that’s what I have to give to the team and to the city. I have to create my own success story in Tulsa. I’ve done that in Atlanta; and with day by day work by me and my team, we will make that happen [in Tulsa].”