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It's Her Party

Wanda Jackson’s face has been popping up all over the place lately. Since OklahomaProxy-Connection: keep-alive Cache-Control: max-age=0 squo;s First Lady of Rockabilly released her new album, The Party Ain’t Over, in January, she has performed on the Late Show with David Letterman and Conan and at heralded music venues from New York City to Los Angeles. Everyone wants to hear the “Sweet Lady with the Nasty Voice.”
Tulsa’s Akdar Shriners and the Route 66 Cruisers Car Club of Claremore will host a night with Wanda Jackson and Oklahoma rockabilly band Bill Holden and the Nighthawks March 11 at the Robson Performing Arts Center in Claremore.

The classic “Rum and Coca-Cola” is bound to make you smile.

At 73, Jackson keeps the fringe a-swingin’ with her latest release. The album of 12 covers is produced by Jack White (of the belated White Stripes) and his Third Man/Nonesuch Records, and was recorded in the land of the Grand Ole Opry. Tracks on the album range from the pure rockabilly “Thunder on the Mountain” to a fantastic rendition of Amy Winehouse’s “You Know I’m No Good.” The classic “Rum and Coca-Cola” is bound to make you smile.
White and the Third Man House Band backed the 2009 Rock and Roll Hall of Fame inductee on the album and during performances and shows early in the tour, showing a touching deference to Jackson, whose music career spans more than six decades.
All this newfound attention is gaining a legion of new fans for Jackson and her signature rasp. The Party Ain’t Over reached 17 on the Top Rock Album chart. If you’re not yet a convert, her rousing live performance will likely push you over the edge.
Robson Performing Arts Center, 101 E. Stuart Roosa, Claremore. Tickets for the show are $20-$40, available by phone at 918.699.7390, 918.596.7111 and online at www.myticketoffice.com.

NCAA Men's Basketball Championship

Sports
2011 NCAA Basketball Championship: Rounds 2-3
March 18, 20

Thousands of college basketball fans are set to converge on T-Town for the NCAA Division I Men’s Basketball Championships, set for March 18 and 20 at the BOK Center. At this point, the big question is, “How is your bracket?” Bracketology, for those of us who live under a rock void of sports-specator weekends, is the fine process of team elimination for the purpose of predicting the winner of a sports tournament. In this case, a bracketologist fills in a bracket (which looks similar to a family tree) with the names of teams competing for the NCAA Basketball Champion. The bracketologist makes educated (or not) guesses as to which teams advance to the final game. Will Duke University’s Blue Devils make it to the top again? Will your bracket make you a champ or at least a little cash? Go to www.bokcenter.com for tickets.

Jennifer Welch

What was your first fashion moment? I can’t remember, but I’m certain it was a disaster.

What designers/stores do you admire most? I adore Tom Ford. He’s hot, gay and creative. I love everything he touches.

You are invited to have dinner with the President. What would you wear? A super-sassy dress with heels as tall as the Washington Monument. The Obamas are cool and very tall, so I’d want to be right up there with them.

What is your favorite accessory? Aviator sunglasses and a fresh blowout.

The Weekly Hitlist – 9.27

Tulsa State Fair

Fair food, carnival games and park rides are just part of the fun you’ll find … MORE

 

 

 


75th Anniversary Celebration

Frankie Valli and the Four Seasons help the Oklahoma Civic Center Music Hall celebrate 75 years… MORE

 

 

 


Oklahoma State University Football

With starting Oklahoma State University quarterback Wes Lunt doubtful for Saturday’s game… MORE

 

 

 


Other Lives

Stillwater indie rock band Other Lives returns to Oklahoma…for a night… MORE

 

 

 


12 X 12 Art Show and Sale

The Oklahoma Visual Arts Coalition holds its annual art extravaganza… MORE

 

 

 


Turn Down the Heat Tour featuring Fantasia

As September winds down without necessarily cooling down, a summer jam festival may be… MORE

 

 

 

 


The True Story of the Three Little Pigs

Alexander T. Wolf is on trial for a scandalous housing disaster… MORE

 

 

 


 

American Moderns, 1910-1960: From O’Keeffe to Rockwell

Discover artists who rejected painting tradition and sought to find new ways of expression in an unfamiliar era… MORE

 

 

 


The Go-Go’s

High pop star priestesses from the ‘80s seek to show Tulsa some fun… MORE

 

 

 


WWE Presents…

Is there anything more enthralling for the pro wrestling fan than a chance to catch their favorite stars in action… MORE

 

 

 


 

To Wear A White Coat

There are many ubiquitous symbols that represent a doctor – the stethoscope, the snake and staff, the gloves. But none is more enduring, or more laden with meaning for both patients and doctors, than that of the white coat.

“The white coat symbolizes health and healing,” says Kayse M. Shrum, D.O., president-designate of the OSU Center for Health Sciences. Shrum also holds the George Kaiser Family Foundation Endowed Chair of Medical Excellence and Service and the Saint Francis Health System Endowed Chair of Pediatrics.

“The color white symbolizes virtue and integrity. It is an outward expression of your commitment to your patients, their families and your community to provide compassionate, quality care to those in need. The white coat serves to remind us of our obligation to society to use our education with utmost respect for the betterment of society, always acting with integrity and virtue.”  

The symbol of the white coat evolved during the early 20th-century emphasis on antisepsis and cleanliness, Shrum says. The coat became a sign of the purity associated with these concepts. Prior to those times, physicians wore black, as a doctor’s visit – often a last resort during that era – was usually a formal and solemn occasion.

Today, Shrum says, “Medicine begins as a career path. When you graduate from medical school you become a physician, but as you mature in your training you realize being a doctor is not what you do, it is who you are. When you take the oath, you are saying, ‘I will use my knowledge to help those in need anytime and any place, because life doesn’t conform to office hours.’”

Here are what a few of Oklahoma’s most dedicated physicians have to say about their profession, and what the white coat means to them.

Dr. Rebecca Goen Stough

Rebecca Goen Stough, M.D., director of imaging at Mercy Women’s Center at Mercy Hospital, has been a physician for 37 years. Her medical degree, internship and residency were all completed locally at the University of Oklahoma Health Sciences Center. But long before she completed her formal medical education, she discovered a passion for medicine when making the rounds with her father and working in his doctor’s office as she came of age.

Specializing in diagnostic radiology, Stough focuses on the early detection of breast cancer through such methods as digital mammograms, ultrasounds, MRIs and needle biopsies. She and her team take a multidisciplinary approach to patient care, guiding the patient from diagnosis to treatment and recovery and consulting with experts in the fields of surgery, oncology, radiation therapy, pathology and genetic counseling.

“It is such a victory to discover early-stage breast cancer in a patient,” Stough says. “The chance of a cure when breast cancer is discovered smaller than 10 millimeters (1/2 inch) is 96 percent with a lumpectomy and radiation therapy alone. When we added an Aurora breast dedicated MRI in 2003, we began to discover more extensive breast cancer than previously suspected as well as additional unsuspected cancers in the same breast or in the opposite breast. This meant the patient had the correct surgery the first time with many fewer returns to the operating room for positive margins and fewer delayed diagnoses of unsuspected cancers later.”

Like many of her peers, Stough says that sometimes the biggest difficulty she encounters is being faced with certain limitations. “The greatest challenge for me is that we can’t find all cancers early,” she says. “I feel so bad when a patient comes in with a large mass and hasn’t had a mammogram in several years. Even with yearly screening mammograms, if the patient has dense or complex breasts, a cancer may be fairly large before it can be discerned on a mammogram. Yet, it is the best low-cost screening tool we have. Having the availability of other tools, such as ultrasound and breast MRI to assist us with screening when appropriate, saves lives.”

But despite the occasional setback, Stough is sure of her calling. “It is so challenging and satisfying to work in a practice that combines imaging with direct patient care. I have met the most wonderful ladies who humble me with their toughness and resilience. I love to give someone the good news that a mass they were feeling is not cancer. I love to pray with some of my patients when they are bravely facing their crises and invite ‘someone’ greater and wiser than me to participate in their care. I love what I do.”

“The white coat is a symbol of trust and authority,” Stough says. “Patients will share the most intimate details of their lives with their health care provider. They trust that that information will be used only for their good and not for their harm. They permit physical examinations and procedures that investigate their most private parts. What an awesome privilege and responsibility.”

Dr. Kevin F. Tulipana

“As a child, I found science and the study of living things fascinating and honestly, quite easy,” says Kevin Tulipana, D.O. “From the time I was in upper elementary, I had a desire to become a physician.”

After studying biology during college, however, Tulipana says he realized that the study and treatment of human beings went far beyond simple science. “One must approach people with the understanding that we are not simply living organisms that need to be fixed when broken, but an intricate person who has physical, mental and spiritual needs that must be recognized and acknowledged,” he says. “Medicine allows for that combination of needs to be met, and this is why, historically, hospitals throughout the world have been established and run by religious organizations. The scientific knowledge of medicine can be learned by anyone who has the academic ability, but the practice of being a physician is something that one grows into.”  

Today, Tulipana is a practicing hospitalist for Saint Francis Hospital South in Tulsa. In his specialty, Tulipana focuses on treatment, care and management of hospitalized patients, filling the role of primary care physician during patients’ stays and coordinating with the patient’s regular doctor after their release.

“I am blessed with the opportunity to care for people at some of their most vulnerable times,” Tulipana says. “When one is ill, especially ill enough to be hospitalized, fear can often take hold. I take this responsibility seriously and strive to provide compassion, expertise and a confident presence to people who are in need. When my patients leave the hospital, I hope that my example of treating each and every patient with dignity and respect will be an example that is followed.”

While Tulipana appreciates the difference he can make in the lives of patients when treating them, he says that he sometimes also must be there for a patient for whom it’s too late.

“One of the greatest challenges of being a doctor is knowing our limitations and recognizing when regardless of all that we do medically, a patient may not survive an illness or traumatic injury,” Tulipana says. “These can be some of the most difficult times.

 “I wear a white coat every day in the hospital and I do believe it bears with it a distinct identity and symbolism,” he says. “When the white coat is seen, patients immediately know who the doctor is among the team of providers. The white coat says to patients that I take this responsibility seriously and identify myself as not only a provider of health care, but a scientist. I understand the biological process of the human body but also strive to understand what really makes us human – the spiritual, mental and emotional aspects. Additionally, to me, the white coat symbolizes a purity of motive in providing care. By donning the white coat, I am reminded that regardless of how a patient presents or what their means are, that I am to provide the same care to each and every human being.”

Dr. Christopher Lentz

As the oldest son of a nurse, Christopher Lentz, M.D., was groomed his entire life to become a doctor. However, for many years, he thought that being a math teacher would be his true vocation. It wasn’t until he entered medical school that he began to realize that each case was, in its own fashion, the most challenging of math problems.

“When I got into medical school, I realized that a lot of the thinking in medicine was close to the thinking in math,” Lentz says. “It’s algorithm thinking, going down thought trees… It suited my way of thinking. And as a fan of detective novels, Sherlock Holmes especially, I thought the type of thinking and deductive reasoning used to figure out what was wrong with patients was exciting. Being able to figure problems out and treat patients was much more rewarding than a career in mathematics would have been.”

After wholeheartedly embracing the medical profession and nursing a lifelong respect for it, Lentz says that he couldn’t wait to get his white coat. “Once I was in, I wanted that white coat like a badge of honor,” he says. “The white coat is a symbol of someone you can trust, that will care for you and make you better. I had tears in my eyes when I took my Hippocratic oath. It was as important as wedding vows: that I was going to take the best possible care of patients and put them before everything else in my life. I still believe that to this day … I want patients to feel trust, to know when they see me that I have their best interest at heart. I can’t give anything less than 110 percent. That’s what patients want, and that’s what the white coat means to me.”

Now a physician for 21 years, Lentz is the medical director at the Paul Silverstein Burn Center at Integris Baptist Medical Center in Oklahoma City, where he specializes in the treatment, surgical reconstruction and recovery of burn victims. He says that in addition to the challenging nature of the field, burn treatment offered what was at the time a unique opportunity to provide team care.

“When I was going through different medical specialties, I was attracted to figuring out complex diseases, diagnoses and treatment,” he says. “But what really struck me as interesting about burn care during medical school in the 1980s was the team approach to patient care I’d never been exposed to in a hospital. Nurses, therapists, dietary experts … all managed patients in 360-degree care. It was a better way of managing patients, by viewing treatment as a team approach to care instead of as individuals working independently of each other. Our team goal is getting patients to the highest level of function after injury.”

Lentz says that like the treatment, the very nature of burns themselves is a challenge.

“Burns are unlike a lot of other diseases,” he says. “If you know you’re not managing your weight, or you are smoking, etc., you know you’re going to get problems with heart disease or diabetes. You know in the back of your mind that if you live an unhealthy lifestyle, something will happen. No one ever plans on getting burned. All of a sudden you have an injury that affects you both inside and outside, and patients have so many questions. Am I going to be functional? Am I going to scar? How will I make ends meet with long hospital stays? I can make a difference showing them there’s life after getting hurt.”

In addition to the challenges of the conditions they treat, Lentz says that today’s doctors face perpetual frustrations connected to financial limitations. “We practice in a country where our health care is more expensive than any other on the face of the planet,” he says. “It’s difficult to practice in the manner I like without having the resources to give to patients. For example, many patients without insurance can’t get rehab or dressing supplies. It’s hard to give patients what they need with such a limited supply.”

For this doctor, however, the rewards outweigh the problems. “When our patients are able to walk out of our burn center feeling better and with more hope, that’s the reward,” he says. “But doctors aren’t the miracle workers; patients are where the miracles happen.”

Dr. Trudy Milner

For 10 years, Trudy Milner, D.O., dedicated herself to a career in nursing. During that time, she even taught nursing classes and was in the process of pursuing her master’s degree when her life changed course.

“I stared working for a physician and decided I liked the continuity of patient care and developing relationships with patients,” Milner says. “The doctor for whom I was working encouraged me to go to medical school, so I applied.”

Today, Milner practices in family medicine at St. John Medical Center in Tulsa, treating patients from birth to end-of-life care. In doing so, she draws upon both her history in the nursing field as well as her opportunity to work closely with her patients.

“When I went to medical school, one of the things they told us is, ‘If you truly listen to the patient, they’ll tell you what’s wrong,’” she says. “It really works. You get to learn about their social and psychological as well as their medical issues. I think having someone listen helps them. It really is important. I really care about my patients, and this is one of my passions.”

Milner agrees that there are definitely challenges to overcome in her career, such as keeping up with the rigorous routine of continuing education. But in the end, she says seeing those positive outcomes in her patients is more than enough encouragement.

While she did not have a formal white coat ceremony during her years in medical school, she has participated in numerous such events in her subsequent career, and the white coat is a powerful symbol for her all the same.

“It’s a source of pride to be able to wear that jacket and know that it distinguishes you and gives you a responsibility,” she says. “You are more cognizant of that while you wear that coat.”

Of the ceremony that now formally confers the white coat in many medical schools, she says, “It’s where we welcome our students into our profession. We tell them what their responsibilities are – ethical ways to behave, committing to lifelong learning and that there’s a human obligation to being a doctor, especially taking care of their patients. It’s the beginning of their professional life, and it has a big impact on students. They are proud of where they are and where they’re going. They learn to respect one another and be compassionate to peers and patients. They always strive to be worthy of the privilege of being a doctor.”

Sweet 15

Fifteen is a volatile age. For teenagers, it means that you’re almost old enough to drive, but not quite. You’re in the throes of teen angst. High school’s a drag. You probably battle bad skin.
For a magazine, 15 is a pretty remarkable age. Fifteen years equals 180 monthly issues. It equals thousands of pages of exciting entertainment, compelling articles and dynamic photographs.
We have pored through the depths of the Oklahoma Magazine archives searching high and low (and page by page) to bring you the highlights of our 15-year history. It was difficult, since we believe that every issue of the magazine is a highlight.
Thus far in 2011, we have brought you profiles of some of the state’s do-gooders, a billionaire and a one-armed bandit. We have introduced you to the state’s karaoke culture, a sculpture artist and a Hank Williams tribute band. We have encouraged you to dine on barbecue, fried chicken and hot dogs. We have also educated you on how to maintain your health in the New Year. This has already been a productive year for us. And we have no plans of slowing down.

Saint Francis Tulsa Tough

They don’t call it Tulsa Tough for nothing. Three days (June 10-12) of biking and festivities promoting healthy living and fitness sounds like fun. Activities include bike races for the kids, family fun rides, vendor booths with special exhibitors and artisans and more. Not a cyclist? Don’t discount the fun in watching from the sidelines. Saint Francis Tulsa Tough’s Gran Fondo race beckons to all who love a challenge and the chance to see some of the lush scenery of rolling hills. Other tracks take competitors through the Blue Dome and Brady Districts. Whether you win the prize for King or Queen of the Mountain, love an endurance challenge or enjoy taking in the sights along a Tulsa Townie Ride with family and friends, this weekend was made for pedaling and sharing in the community of other cycle enthusiasts. For a complete schedule and route maps, go online at www.tulsatough.com.

Bringing the Undead to Life

Special effects expert Derek Krout brings a creature to life in the KNB EFX studios. Photo courtesy Derek Krout.
Special effects expert Derek Krout brings a creature to life in the KNB EFX studios. Photo courtesy Derek Krout.
Special effects expert Derek Krout brings a creature to life in the KNB EFX studios. Photo courtesy Derek Krout.

“You want the audience to believe those zombies are real. You want them to believe they’re alive. It’s crucial that it looks as real as possible, that you actually scare people if they see it and believe it. I want them, hours after they see the show, to think there could be zombies lurking around their house.”

Although abject terror isn’t always his goal, this is the standard to which Derek Krout, prosthetics designer for KNB EXF group, holds himself. The 38-year-old Tulsa native has made a name for himself as one of Hollywood’s top special effects guys. He’s nominated for an Emmy for his outstanding work on AMC’s smash-hit zombie drama The Walking Dead. Emmy nominations are heavyweight Hollywood stuff, but Krout approaches it with the natural, confident humility of an Oklahoman.

“Nomination for an Emmy is a huge honor. I’m up there representing Oklahoma… KNB has won Emmys the last three years in a row. I contributed to that. When things like this happen, I always think of where I started from. That’s Oklahoma.” (Krout didn’t take home an Emmy from the Sept. 15 presentation of the Creative Arts Emmy Awards, but, as he says, “there is always next year.”)

Krout is a craftsman, an artist of sorts. He heads up the prosthetics department at KNB EFX, one of the most prominent special effects shops in Hollywood. KNB isn’t a CGI house. It’s not what they do. KNB produces physical, lifelike body suits that convey incredible realism for, say, the aliens in Predators. And then there are smaller but important challenges, such as making wounded soldiers in The Pacific look as genuine as if they’d fought real battles.

Krout and his colleagues tell the stories within the stories. Good masks or makeup shorten the time needed to develop a character. They quickly, efficiently and wordlessly tell a good portion of a character’s story. They give depth to plots. If they’re convincing zombies, no narration is needed to explain them. The audience sees and believes and immediately sympathizes with the undead threat to their favorite characters.

“We’re very critical about what we see on screen. Sometimes we see things that other people don’t. We’ll look at something and think, ‘That doesn’t look good,’ or ‘Wow, did you see that bad edge?’ If it looks bad, it can kill the story. It can damage a film. The special effects have to look great. There’s no two ways about it.”

If Krout’s an artist, then his canvases are foam, gelatin, alginate, silicone, gypsum and anything else that yields the results he strives for. He employs them to sculpt, mold and cast the masks and other “appliances” that bring the real to the outlandish. Sometimes it all comes down to hair and fur. The upper halves of the quite hairy minotaurs in the Narnia series were the work of Krout’s department.

Krout’s latest gig will thrill comic book fans. He led the effort to transform Jamie Foxx into Elektro, the sociopathic villain in the upcoming Amazing Spider-Man 2. It was six months of work for Krout’s department, but he insists that it was a lot of fun. He also insists that Foxx will look great. And why wouldn’t he? Krout’s proven himself on countless films and television shows: The Walking Dead, Predators, The Pacific, Sin City, The Grey and the Narnia films.

Krout’s evolution into a special effects genius had a modest, even mundane, genesis. He simply asked himself the same question again and again. How, he wondered, do special effects artists make those creatures and monsters so real?

“Even as a kid I was inspired. Friday the 13th. Nightmare on Elm Street. Those classic 1980s

horror movies terrified me, but I loved to watch them. I snuck down to the basement and watched them every chance I got. I watched and wondered, ‘How did they get Jason to look so real? Why did Freddie Kruger look so authentic?’ That was it for me. That’s where it all started.”

After college, Krout kicked around Tulsa, doing set and wardrobe work for various small films and television shows. Eventually, he landed at Stage One Scenic, a Tulsa company that contracted out for everything from set construction to special effects. That was his in. It was an opportunity to get practical with his passion. He used the occasional special effects job as a springboard to get into a special effects makeup school. Then it was California or bust. He was 27.

Krout leveraged another of his Oklahoman qualities: determination. It was his mission, he says, to make things work in California. He ate a lot of peanut butter and jelly sandwiches when he arrived, but it paid off. He didn’t want to be the guy that calls home to ask his parents to subsidize his dream. He did it on his own.

“Oklahoma taught me that if I worked hard enough at something, I could achieve it. Every time I sat there thinking, ‘I don’t think I can do this. I don’t think I’m going to make it out here,’ I’d think about home. I know so many friends that would never give up. Then I sat there thinking, ‘I can do this.’ That’s just one reason I love Oklahoma. It’s still my home.”

Krout’s sitting on the edge of a new phase in his career. Ever since Jurassic Park debuted with box office shattering records 20 years ago, CGI has been all the rage in the special

effects industry. Some experts are already pronouncing physical special effects, the makeup and prosthetics, dead. Krout disagrees. He foresees an explosion of physical effects, even as CGI techniques become more sophisticated and capable.

“It’s funny. Sometimes CGI helps us. There are things that physical effects can’t accomplish. The same is true of CGI. There are things that, to make a special effect work, have to be done physically. They scratch our backs and we scratch their backs. They help us with certain things and we help them with certain things. We’ll always be doing physical special effects, from creature suits to the simplest, tiniest subtle makeup. The combination of both creates an amazing film if it’s done right. Some really cool stuff comes out of that partnership.”

Krout credits a lot of people for his success. Mom, dad, brothers, his girlfriend, mentors and countless friends. H loves his job. He’s one of the lucky ones. He follows his heart to work every day. If he keeps up the momentum he’s built over the last decade, he won’t have to think about the first Emmy. He’ll be thinking about the tenth — and the ones that follow it.

Art: Momentum Tulsa

Art waits for no one. If you close your eyes at this year’s showing at Momentum Tulsa: Art Doesn’t Stand Still, you just may miss something incredible. The truth is, you can’t easily predict what will make it into the collection. When the annual exhibit of work by Oklahoma artists ages 30 and under is installed Oct. 8 at Living Arts of Tulsa, audiences will once again line up to view some of the freshest, most provocative works to open a show all year. Momentum Tulsa features painting, photography, sculpture, film, performance and artwork refusing to be pigeonholed by definition. The Oklahoma Visual Arts Coalition chooses the works to be displayed through Oct. 27, but most of the work will not be selected until the few weeks leading up the big event. Oklahoma City gets its own Momentum event in early spring, so this show is special to Tulsa. You might think so, too. www.ovac-ok.org

Rhapsody In Blue