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Adventures in Southwest Canada

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[dropcap]A[/dropcap] trip to Vancouver and Victoria, British Columbia is filled with beauty and adventure. This area of Canada is characteristically Victorian with its details and charm. A convenient and pleasant way to tour these areas is by rental car from Vancouver to Victoria Island via ferry so that you have transportation access to activities. You can also fly into Vancouver International Airport or take a car, RV, bus, ferry or train. Make sure you have passports and proper identification to enter Canada.

Vancouver

Lodging

Shangri-La Hotel, Hotel Blu and Delta Vancouver are downtown hotel options with a range of nightly rates.

Activities and Restaurants

Photo by Doug Schnurr / Shutterstock.com.
Photo by Doug Schnurr / Shutterstock.com.

First day in Vancouver, rent a bike for sightseeing and have dinner at Kobe Japanese Steak and Seafood House in downtown Vancouver. Another day, take a free shuttle to Grouse Mountain (only a twenty-minute drive from downtown) for an unforgettable gondola ride to Breakfast with the Bears, in which you’ll participate in the bears’ morning feeding with wildlife rangers. Harbour Air Floatplanes provides a twenty-minute tour over the city, landing in Horseshoe Bay. Stay and enjoy the charming village center of Horseshoe Bay for its wonderful restaurants and shops.

Science-World-shutterstock_239776249A second day’s itinerary for the sporty tourist would include Ecomarine Paddlesports Center for scenic kayaking in the English Bay. The sight of kayaks in the bay is a personal favorite example of this area’s beauty. The wine enthusiast will appreciate a trek to Metro Vancouver Wine Country showcasing the famous ice wine (eiswein) at the Lulu Island Winery, 25 minutes south of Vancouver in the historic fishing town of Richmond.

Capilano Suspension Bridge, Vancouver Aquarium and Science World are thrilling ways to experience Vancouver’s natural treasures. Visit tourismvancouver.com for more information.

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Photo by Chase Clasen/ Shutterstock.com.
Photo by Chase Clasen/ Shutterstock.com.

Victoria

Transportation and Lodging

The ferry ride to Victoria Island is jaw-dropping. You will pass by islets, boats and even helicopters bringing people and materials into this remote wonderland. Pacific Grand Hotel, with a large pool and gym, is located next to the Parliament Museum and main plaza and provides access to all of the area’s excitement. Victoria Marriott is another hotel option on the Inner Harbour. The view of the lighted marina can be seen from the hotels around the inlet. Shops, cafes, international restaurants, galleries, street performers, pedicabs and horse-drawn carriages adorn the plaza.

Enjoy a meal at the Sticky Wicket Pub. Inner Harbour is the centerpiece of this picturesque town, and the Victorian-era architecture gives British Columbia’s capital city a very British reputation. A three-day stay is recommended for sightseeing in Victoria. If you opt to not take a rental car, guided tours of Victoria are available via car, boat, horse drawn carriages, double decker buses and scenic floatplanes. CVStours.com has more information.

Attractions

The ivy-covered Fairmont Empress Hotel is the focal point of the busy harbor. Built in Edwardian architectural style, this historic hotel is known for its tradition of secret-blend tea and scones in the grandiose Tea Lobby. The Royal British Columbia Museum and the Parliament Building contain art galleries dedicated to the region’s indigenous people. Butchart Gardens, open year round, is one of the world’s renowned gardens and a must see on your itinerary. Culture and history can be found at Craigdarroch Castle Historic House Museum, an impressive Victorian castle built by a wealthy coal baron.

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Activities

Personal favorites are the zip line adventure at AdrenaLine in Sooke National Rainforest and whale watching through Prince of Whales high-speed outdoor adventures. A thrilling Zodiac boat ride will take you to watch the whales swim and jump. On the ride back to the harbor, you will see seaplanes, cruise ships, sailboats and kayaks.

A personal caution for tourists is to balance your day with museums and one adventure excursion. The high energy of both zip lining and whale watching in one day is overwhelming, so plan accordingly.

The uniqueness of Victoria is its bustling harbor plaza with its artistic vibe and stunning scenery of the vessels in the bay. The pulse of the music and lights and a very pedestrian-friendly layout is the magnetic charm which attracts tourists to food stands, coffee shops, Irish pubs and pedicab rides. In even a short stay, you can experience the sights and sounds of Victoria ranging from amazing florals, costumed poets, steel drum bands and the spray of water on boat rides. Charm galore!

Building A Dream House

The home is characterized by the simplicity of design in architectural themes, neutral colors, and a mix of antique woods and contemporary chrome and glass.
The home is characterized by the simplicity of design in architectural themes, neutral colors, and a mix of antique woods and contemporary chrome and glass. Photo by Darshan Phillips.
The home is characterized by the simplicity of design in architectural themes, neutral colors, and a mix of antique woods and contemporary chrome and glass. Photo by Darshan Phillips.

[dropcap]Sarah[/dropcap] McPhail was envisioning her dream home long before she and her husband found their ideal location to build in Tulsa.

“I always knew I wanted to design my dream home, even while I was majoring in interior design at the University of Oklahoma,” Sarah says. “Our first ‘starter home’ was an exercise in restraint. I knew then I would have to design our home to be satisfied. The south Tulsa area we found is family-friendly. I wanted to build a home that could grow with our family.”

The two-story home is characterized by the simplicity of design, which includes repetitive architectural themes, a neutral color palette and a pleasing mix of antique woods, sparked by contemporary chrome and glass.

The 4,500-square-foot home features a spacious entry foyer. Photo by Darshan Phillips
The 4,500-square-foot home features a spacious entry foyer. Photo by Darshan Phillips

“I researched a lot of design elements through the years. I wanted a home that had clean lines, would be transitional and very functional. Durability was also important with children at home,” Sarah notes.

Sarah wanted her family’s home to be a showcase for found objects, ranging from art and sculpture to family treasures. Various settings in the home serve as a stage for the collection of design accessories Sarah has acquired during her career.

She particularly enjoys the juxtaposition of old world traditional and contemporary architectural details, furnishings and accessories. The spacious entry foyer in the 4,500-square-foot home reveals her artistry with mixing design periods.

A contemporary landscape painting, “Golden Moments by Jamie Kirkland, complements an heirloom cuckoo wall clock carved from Germany’s Black Forest wood. It belonged to her paternal grandmother and is priceless to Sarah. A contemporary Z-shaped chair adds a modern touch, as does a metal coat rack by designer Tom Dickson.

“It’s an architectural feature when not serving as a coat rack,” Sarah says.

An arched opening leads from the entry hall into the open living room, kitchen and dining area, providing a feeling of cozy ambience. An arched window adds architectural drama to this room. The neutral color scheme includes an off-white sectional sofa, accented by two chestnut colored saddle leather chairs with wing frames and down-filled cushions. An adjacent den includes an office and children’s playroom.

Sarah’s love for mixing architectural periods is classic in the small dining area. A traditional round dining table is teamed with white leather chairs, laced up the back. Nearby, a dark wood cabinet made from an East Indian door frame houses family heirlooms.

“The cabinet was one of the first antique pieces we purchased for our home,” Sarah says.

The white-and-black kitchen is a portrait of sleek efficiency. A black walnut center island is a favorite gathering place, especially for the children. The Ikea chrome and black plastic bar stools are “a durable necessity for children,” Sarah adds. Other notable features are a tiny chrome light bar created by the Ingo Maurer Company, which hangs above the kitchen’s center island. An African bull mask presides over the kitchen’s work area. Sarah found the unusual mask at SR Hughes, where she is on the design staff.

Sarah loves the warmth of the white oak floors featured throughout the home. They are complemented by white walls, achieving the crisp, pristine look Sarah hoped to achieve with her design.

“I’m really happy with this house,” Sarah says. “It’s very functional. The fabrics are durable. The rugs hide any mess. There’s nothing the children can’t touch. Everything works well. I considered the furnishings in the floor plan.  I built the home from the inside out. The twin sofas dictated the size of the living room.”

As a designer, Sarah tells others planning their dream home: “Consider how you want to live inside your home. Make sure your furnishings will fit your floor plan.”

Multi-tool Magic

Photos courtesy Leatherman Tool Group.

[dropcap]Multitools[/dropcap] are always a popular Father’s Day gift, and there’s no question about how handy they can be. Whether you need a corkscrew, scissors or a knife, a multitool gives you everything you need, right in your pocket.

For people who prefer not to carry a multitool in your pocket, there are other options available – including wearable multitools.

With so many different available options, though, are you getting the most use out of your multitool? Some tools may be obvious, but check out our infographic to see if you know everything your multitool can do.

Photos courtesy Leatherman Tool Group.
Photos courtesy Leatherman Tool Group.
  1. Needlenose pliers
  2. Regular pliers
  3. Hard-wire cutters
  4. Wire cutters
  5. Knife
  6. Serrated Knife
  7. Saw
  8. Spring-action Scissors
  9. Awl
  10. Can opener
  11. Bottle opener
  12. Corkscrew with assist
  13. Wood/metal file
  14. Diamond-coated file
  15. Phillips screwdriver
  16. Med/large screwdriver
  17. Small screwdriver
  18. Extra-small screwdriver

Wearable Tools

Photos courtesy Leatherman Tool Group.
Photos courtesy Leatherman Tool Group.
  1. tread_black_dismantled1/8” Flat Screwdriver
  2. 3/32” Screwdriver
  3. #1-2 Phillips
  4. 1/4” Box Wrench
  5. 3/16” Screwdriver
  6. Carbide Glass Breaker
  7. Cutting Hook
  8. Pick/Sim Card Tool
  9. 5/16” Screwdriver
  10. 3/8” Box Wrench
  11. 1/4” Flat Screwdriver
  12. 1/8” Hex Drive
  13. 3/16” Box Wrench
  14. 3/32” Screwdriver
  15. 3/16” Hex Drive
  16. Oxygen Tank Wrench
  17. 1/4” Hex Wrench
  18. 5mm Hex Drive
  19. 10mm Box Wrench
  20. 6mm Hex Drive
  21. 3mm Hex Drive
  22. 8mm Box Wrench
  23. 4mm Hex Drive
  24. #2 Phillips
  25. 6mm Box Wrench
  26. #1 Phillips
  27. 1/4” Socket Drive
  28. Bottle Opener
  29. #2 Square Drive

Dynamic Duos

Travers and Laurie Mahan are the dynamic duo behind travers Mahan, a retail men’s apparel business in Tulsa. Photo by Marc Rains
Travers and Laurie Mahan are the dynamic duo behind travers Mahan, a retail men’s apparel business in Tulsa. Photo by Marc Rains
Travers and Laurie Mahan are the dynamic duo behind Travers Mahan, a retail men’s apparel business in Tulsa. Photo by Marc Rains.

[dropcap]Batman[/dropcap] and Robin. Clark Kent and Lois Lane. Butch Cassidy and the Sundance Kid. Laverne and Shirley. Sometimes working with a partner is simply the way to go.

Of the dynamic duos making it work in the world of Oklahoma businesses, Sheryl Chinowth and Lee Cohen are definitely in the running. The married pair started Chinowth & Cohen Realtors in 2004 and oversee eight offices in the Tulsa area with over 430 agents.

Cohen works in the commercial division, while Chinowth focuses on residential. “We’re qualified in both areas, but our business passions are separated by types of real estate,” Chinowth says.

What doesn’t separate this realtor pair is their mutual trust. Running a business with others is a balancing act, which can be made even more difficult when a loved one or spouse is the partner.

But, according to Chinowth, “As with all businesses, you must work with someone you can trust. Forming a business partnership with anyone is a type of marriage. As with a marriage or growing a business, a solid foundation of trust makes the partnership even stronger.”

Trust is an essential element for working couples, according to Suzie Symcox, executive vice-president and chief administrative officer at First Fidelity Bank in Oklahoma City. Symcox, who works with her husband Lee, the president and CEO, says, “In our situation, we work as a team. We have split responsibilities. While we have those specific areas of responsibility, it is always a great advantage to be able to bounce ideas off someone that you can trust and that knows the situation.”

Respect is another key to working together in a business, according to Travers and Laurie Mahan, the married duo behind Travers Mahan, an apparel retail business based in Tulsa and in Dallas.

“We don’t always see things the same way, and some decisions highlight our differences,” says Travers Mahan. “But we respect each other’s opinions because we both have a lifetime of knowledge of the fashion industry.”

Like Chinowth and Cohen, the Mahans divide their work duties according to ability and interest. “Travers handles the day-to-day decisions in sales and operations while I focus on the marketing, public relations and product development,” Laurie Mahan says.

Even the best working duos encounter difficulties. Both of the Mahans emphasized having the business and personal relationships work smoothly. If anything is upset in the personal area, says Travers Mahan, “the business can suffer.”

According to Suzie Symcox, in working with a spouse, “The only disadvantage that I can think of is that it is 24/7.”

All three couples note the fact that dividing up responsibilities according to personal skill is essential to their success.

“We have in essence split the bank and tried to take advantage of our individual strengths,” Lee Symcox says. “I am much more of a numbers person, and Suzie has more of a creative mind. While we have the primary responsibilities, it is a very collaborative situation.

According to the Bureau of Labor Statistics, there are almost 4 million family-owned businesses in the U.S., and 1.4 million of those are run by a husband and wife team. Dynamic duos are, indeed, paving new, successful roads in the work world.

Charley Gardner’s Angels

Charley’s Angels: Sandy Gardner, Cindy Cain, Chuck Gardner and Janet Rutland Photo courtesy Chuck Gardner.
Charley’s Angels: Sandy Gardner, Cindy Cain, Chuck Gardner and Janet Rutland Photo courtesy Chuck Gardner.
Charley’s Angels: Sandy Gardner, Cindy Cain, Chuck Gardner and Janet Rutland
Photo courtesy Chuck Gardner.

[dropcap]Here[/dropcap] are a couple of things you should know about Chuck Gardner’s Charley’s Angels show, set for Sunday, June 5 at the Oklahoma Jazz Hall of Fame’s Jazz Depot in Tulsa.

First, the only person who consistently referred to pianist, arranger and composer Gardner as “Charley” was his old Uncle Lyle from Minneapolis.

Second, Gardner has dubbed the concert “Charley’s Angels” instead of “Charlie’s Angels” because he doesn’t want anyone to think it’s a direct representation of the well-remembered late ’70s-early ’80s TV show that made actresses Kate Jackson, Jaclyn Smith and, especially, Farrah Fawcett household names.

“However,” he says, “the inference is there. In fact, Janet told me she wanted to be Farrah Fawcett, but I said, ‘No, Tony’s already applied for that.’”

“Janet” is Janet Rutland, one of the three angels working with Gardner on his show. The other two are Cindy Cain and Sandy Gardner, Chuck’s wife of 38 years, who’ll also play bass. “Tony” is veteran Tulsa drummer Anthony Yohe, a longtime musical cohort of the Gardners and one of the least likely people in the known universe to be mistaken for Farrah Fawcett.

“I’ve been wanting to do a concert with these three gals for a long time,” Gardner says, “and I thought ‘Charley’s Angels’ would make a good framing device to bring us all together. Each one has her own following, which is one of the reasons I selfishly picked them. They’ll all bring in their different crowds.

“As a piano player,” he adds, “I get more of a kick out of accompanying professional singers than I do just playing piano by myself or with a trio. It all comes from when I was in the Air Force, doing the Serenade in Blue Armed Forces Radio shows at Capitol Records in Hollywood. That was during the Vietnam era. I had the great opportunity of working with Rosemary Clooney, Anna Maria Alberghetti, Gisele McKenzie, all sorts of different singers. That’s when I really started enjoying this accompanying business.”

He’d gotten his first taste of it about a decade earlier, while stationed at Hickam Field in Hawaii and leading an Air Force group called the Pacificaires. He’d joined the Air Force band program only a few years earlier, in 1957, after working in various musical outfits as a young civilian in his home state of Iowa.

Then, in the very early 1960s, an up-and-coming jazz-pop vocalist who’d just recorded her first album for Capitol Records visited the Hawaiian Islands. Her name was Nancy Wilson, and she was scheduled to appear on a Honolulu television show. The station, however, didn’t have a pianist on its staff.

“They called us at Hickam, wanting to know if we had a piano player who could come out and back her,” Gardner recalls. “I was sent over, and I remember she was just gorgeous, but I had no idea who she was.

“She told me, ‘I have this new arrangement, and I’d like to do it with you.’ I said okay, and we rehearsed it once and then did it on the show, which was just a local Honolulu TV show. The song was called ‘Guess Who I Saw Today,’ and I got to thinking, after I later heard her recording of it, that I might’ve been the first person ever to play it in public with her.”

Nancy Wilson was far from the only recording artist Gardner worked with during his time in the Islands.

“There was something called ‘Sail with the Stars’ that Matson Lines had with cruise ships going back and forth from Honolulu,” he says. “They would bring, oh, Vic Damone or Mel Torme over, and when they got to Hawaii they’d do a couple of shows before sailing back and the Pacificaires would back them. I remember Hoagy Carmichael coming over, which was great. I really had some wonderful opportunities there.”

The latter part of the decade found Gardner back on the mainland, not only working with and ultimately leading the U.S. Air Force Academy Band, the Falconaires, but also playing other gigs in and around his home base of Colorado Springs, Colorado. That’s where he met one of the three singers who’ll be appearing with him on the Charley’s Angels show.

However, their initial meeting at the Academy’s Officers’ Club, did not go well.

“I did not have a job that particular night, so the leader of Sandy’s band called me to play with them,” Gardner remembers. “I knew they had a vocalist, and I thought, ‘Oh, brother. Here we go.’ I wasn’t very happy about subbing with some singer I didn’t know.

“She was thinking the same thing, because she didn’t have her regular piano player and didn’t know what to expect from me. So when we met we really didn’t hit it off right away because that stigma was there with both of us.” He laughs. “But then, after about three or four tunes – I guess ‘Girl from Ipanema’ was really the one that did it – we looked at one another and the earth moved. That’s how it all started.”

Their professional association quickly became personal, and within a few weeks Chuck and Sandy were engaged. They also continued to play music together, with Sandy learning bass from a member of the Falconaires.

“She is so talented,” he says. “She plays piano; she has a better ear than I do. She can pick up a bass and play with any country band by ear with no problem whatsoever. She reads well, too. She’s very well-rounded, and as a musician she’s very underrated – although I realize I’m prejudiced.”

Married in 1978, the two worked professional gigs in several more states before landing in Tulsa, Sandy’s hometown, in the early 1990s. Soon, they’d met and started playing with both Anthony Yohe and Cindy Cain.

“The thing about Tony isn’t just his drumming, which is great,” notes Gardner. “It’s his dependability. I can always depend on him to be there early, to be dressed properly – all these little things you have to worry about with musicians.” He laughs again. “Tony’s always there and a perfect musician, as far as I’m concerned.”

He has similar praise for Cain, one of the first vocalists he worked with after settling in Tulsa.

“Cindy has that sultry blues-type low voice, along with great stage presence,” he says. “It’s a unique voice that’s immediately recognized as ‘Cindy’ and no one else. The way she sings a song goes right to the soul.”

And the third member of Charley’s Angels, he adds, “has great musicianship and a wonderfully pleasant voice. We played back in the ’90s at the old Adam’s Mark [Hotel], with the late bassist John Rigney. She has a big following, but I still think she’s underrated, or maybe taken for granted: ‘Well, there’s Janet, she sings.’ Yes, she does, but she really sings.”

Charley’s Angels, featuring Chuck Gardner on piano, Anthony Yohe on drums, and Sandy Gardner on bass and vocals, along with vocalists Janet Rutland and Cindy Cain, is set for 5 p.m. June 5 in the Jazz Depot, 111 E. First St. in downtown Tulsa. Tickets are available at JazzHallTickets.com or by calling 918-928-JAZZ.

Remembering Pawnee Bill

Photo courtesy Pawnee Bill Ranch.
Photo courtesy Pawnee Bill Ranch.

[dropcap]During[/dropcap] a visit to the Pawnee Bill Ranch in Pawnee, a climb to the top of the rock observation tower provides an expansive view of the present-day ranch as well as the hundreds of acres of Blue Hawk Peak, the former showplace home of Gordon William “Pawnee Bill” Lillie.

Gordon Lillie, who gained the nickname “Pawnee Bill” while living and working with the Pawnee Indians, started his famous Wild West Show in 1888.

Lillie was also a successful businessman, rancher, banker and entertainer. He lived with his wife, May, in a 14-room mansion on the hillside.

“Looking back, we can safely say that Wild West shows created the public’s perception of the American West,” says Erin Brown, historical collections specialist at the Pawnee Bill Ranch. “It’s a stereotype that was perpetuated in movies, literature and television. It started with the Wild West shows.”

Pawnee Bill Ranch, west of Tulsa and south of Ponca City, welcomes guests year round. It is a site of the Oklahoma Historical Society and offers a museum detailing the life of Pawnee Bill, May Lillie and the history of Wild West shows. There is an original turn-of-the-century cabin complete with dirt floors, a blacksmith shop and a large barn housing wagons and farm implements. Visitors can tour each and get a glimpse into the past – what it must have been like more than 100 years ago in Oklahoma. The grounds also include covered picnic areas complete with a children’s fishing pond.

The ranch keeps the spirit of Pawnee Bill’s Wild West Show alive through a re-creation every June. “We consider the show to be representative of the best of Pawnee Bill, including acts and original language taken from primary source material,” says Brown.

The show provides “family-friendly entertainment at its wildest.” Crowds are told to expect trick riders, trick shooters and trick ropers. It’s not in the name, but there’s surely a trick to the square dance on horseback as well. And guests shouldn’t be alarmed by a stagecoach robbery or two. It comes with the territory.

The historic mansion has been fully furnished with his personal belongings. Beautiful silk wall tapestries, crystal ware and gold inlaid tile speak of a couple who liked to live well and had the means to do so. The Lillies also enjoyed entertaining company and had many guests – including some recognizable names.

But the humans who lived on the ranch aren’t the only ones represented. Gordon Lillie was an advocate for the American bison and established a herd on his ranch in the early part of the 20th century. A present-day herd of bison calls the ranch home as well. Guests can drive through their pasture for an up-close look and, if they’re lucky, get a look at the new calves born this season.

From the vantage point on the observation tower, it is clear that the Pawnee Bill Ranch is a beautiful example of a time long past. Erin Brown describes why places like this are important to preserve.

“Historic sites have the ability to connect people across time and space,” she says. “They make history accessible to a broader public. They make history come alive.”

Celebrating Tribal Diversity

Photo courtesy Red Earth Festival.
Photo courtesy Red Earth Festival.
Photo courtesy Red Earth Festival.

[dropcap]Watch[/dropcap]. Eat. Dance. Shop. Learn.

One of Native America’s biggest festivals returns to Oklahoma City June 10-12 for its 30th anniversary. This year’s Red Earth Festival, celebrating Native American art and dance, may be the biggest yet. The Cox Convention Center will be home to the three-day celebration.

“The Red Earth Festival highlights the cultures that make Oklahoma unique,” says Eric Oesch, deputy director of Red Earth Inc., the festival’s primary sponsor. “There are 39 federally recognized tribes with headquarters within our state’s borders. That’s more than any other state in the nation.”

Around 26,000 people attended last year’s festival. This year, Oesch expects 30,000. More than 1,200 American Indian artists, dancers and singers from around the nation will converge on this year’s show, making Oklahoma City American Indian headquarters for three days.

“Each tribal nation works diligently to keep their languages and historical customs alive and vibrant,” Oesch says. “Native cultures aren’t just in the history books. They are living and vibrant cultures of today.”

The Red Earth Festival was named by USA Today as one of the top 10 of its kind in the nation. It has won numerous awards and draws guests from around the world.

“I show in Santa Fe and New York,” Choctaw painter Dylan Cavin says. “The Red Earth festival easily competes with those types of shows in sales and attendance.”

Guests will be able to view the work of some of the country’s most celebrated American Indian artists. They’ll be selling contemporary and traditional examples of beadwork, basketry, jewelry, pottery, sculpture and paintings.

“Oklahoma’s Native American art is very diverse,” Oesch says. “When people think of New Mexico or Arizona Native art, they immediately think of beautiful jewelry and black pottery. Oklahoma’s Native art is more diverse because our Native tribes come from all parts of the country.”

While a number of the country’s top Native American artists will be showing at the festival, it’s far more than just an art show. Red Earth’s dance competition is a breathtaking kaleidoscope of colors featuring hundreds of Native American dancers in their distinctive tribal dress. The competition is one of the most prestigious in the nation.

Photo courtesy Red Earth Festival.
Photo courtesy Red Earth Festival.

Red Earth opens with a spectacular parade on the morning of Friday, June 10. The streets of downtown Oklahoma City will brim with Native American pride, featuring tribal members from around the country, many in their tribes’ distinctive regalia.

A sunrise breakfast on Saturday gives visitors the opportunity to quiz a panel of Native American jewelry makers about the craft and how to find good examples of it. It’s a new addition to the festival that has both jewelry makers and collectors excited.

Lots of Oklahomans have Native American art on hand that they’ve picked up but don’t know much about. On Sunday afternoon, visitors will be treated to an “Ask the Experts” panel modeled after the popular Antiques Roadshow. While the experts won’t be appraising items, visitors will be able to learn if the items are authentic, where they come from and their significance. Guests can bring up to three items, and the event is free with admission.

“Many of the tribes in Oklahoma were relocated from different parts of the country. What we do at the festival is celebrate that diversity,” Oesch says. “When you come to the festival, where we have so many Oklahoman artists, their artwork reflects their tribal heritage. The diversity at the festival is totally unique.”

Heritage & Harmony

Rebecca Marks Jimerson is a key player in the coordination of Tulsa’s Juneteenth celebration. Photo by Marc Rains.
Rebecca Marks Jimerson is a key player in the coordination of Tulsa’s Juneteenth celebration. Photo by Marc Rains.
Rebecca Marks Jimerson is a key player in the coordination of Tulsa’s Juneteenth celebration.
Photo by Marc Rains.

[dropcap]The[/dropcap] Brady District springs to life each June with the sights, sounds and soul of the Juneteenth celebration. This year will likely be no exception with the packed weekend of events focusing on the theme “Heritage through Music and Art.”

“This year’s theme derived from an unprecedented alliance of multiple community organizations working together to commemorate Juneteenth,” says event spokesperson Rebecca Marks Jimerson. “For the past two years, I have coordinated the event for the Martin Luther King Commemoration Society at Guthrie Green. Pleas Thompson, the president of MLK, had a vision to unify the event, and this year it is a reality.”

Juneteenth, or Freedom Day, dates back to 1865 and celebrates the emancipation of African-American slaves in the Confederate South. The word comes from the combination of June and nineteenth, the day the news of their freedom finally reached the slaves in Texas. The announcement was made in Galveston, Texas by Union General Gordon Granger, who had traveled with federal troops to enforce the Emancipation Proclamation – two years after it went into effect. The annual event is the oldest holiday commemorating the end of slavery in America. Today, Juneteenth is a celebration of human rights and an opportunity for everyone to reflect, rejoice and remember.

“We commemorate the celebration of Juneteenth and the healing of the wounds endured by the 1921 race riot in our city,” Jimerson says. “The message must resonate for the call for equality of rights for all human beings. The past two years, the Tulsa community has embraced the celebration of Juneteenth immensely. Thousands have attended at the Guthrie Green. We have witnessed diverse community audiences and stage participation.”

The 2016 event runs from Thursday, June 16 through Sunday, June 19. It kicks off at the Guthrie Green with a showing of The Real Juneteenth, a documentary about the history and perception of the holiday. The following night there will be a jazz and blues tribute concert for Wayman Tisdale. Tisdale grew up in Tulsa and was recruited to play basketball at the University of Oklahoma, where he was named All American three years in a row. He went on to have a successful music career as a jazz bass guitarist. Mike Fields, Jeremy Thomas, Eldridge Jackson and Julian Vaughn will all perform in memory of Tisdale, who passed away in 2009.

On Saturday, Living Arts of Tulsa will present GAGE & NOIRE II, a showcase of spoken word, fashion, music and visual art that incorporates the history of the holiday and its enduring message of freedom and unity. Later that night, there will be a concert featuring Wise Men and Koolie High, Brandy and Soul Element, Val & Wall Street, and the All Star Band.

The four-day celebration also includes an exhibit at the Woody Guthrie Center and tours at the John Hope Franklin Reconciliation Park. The event concludes on Sunday with a gospel brunch.

“The summer’s events demonstrate a coming together of a diverse group of organizations lifting up the call through music and art for human rights equality intended for all God’s people,” says Jimerson.

On the Road Again

Photos courtesy Tulsa Tough inc.
Malcolm McCollam of Tulsa serves as the executive director of Tulsa Tough inc. and is also a competitive racer. Photo by Adam Murphy.
Malcolm McCollam of Tulsa serves as the executive director of Tulsa Tough inc. and is also a competitive racer. Photo by Adam Murphy.

[dropcap]Road[/dropcap] cycling has taken hold of Oklahoma – and what better way to experience everything that our great state has to offer than from the saddle of a bike? Although we definitely want to extend kudos to the hardcore, year-round cyclists, it appears that the month of June has come to be the Sooner State’s most popular cycling month – primarily for the somewhat mild temps and predictable weather conditions. Regardless of skill level, body type or age, there are a variety of scheduled events providing two-wheeled fun and fitness for all. It’s prime time for cycling in this neck of the woods – so saddle up!

Saint Francis Tulsa Tough

The much-anticipated Saint Francis Tulsa Tough will take over downtown Tulsa June 10-12. The three-day weekend cycling festival includes criterium races for both amateurs and pros, noncompetitive Gran Fondo rides and a family-friendly Townie Ride. Tulsa Tough strives to deliver the full riding experience to everyone – from training wheels to racing rims.

Tulsa Tough began in 2006. “At that time I had been involved in the running and cycling community as both a participant and organizer of local events,” says Malcolm McCollam, executive director of Tulsa Tough. “Because of that prior experience, I was one of the people who became involved in creating this new concept.”

Each year, Tulsa Tough has grown in size and popularity and is now known across the state, across the nation and beyond as a prime racing opportunity for competitive cyclists and professional teams.

Photos courtesy Tulsa Tough inc.
Photos courtesy Tulsa Tough inc.

Twenty-year-old Skyler Mackey of Tulsa is currently on the road to a future as an elite, professional cyclist.

“My father was the one who got me into cycling seven years ago,” Skyler says. “After racing mountain bikes for a few years, another one of Tulsa’s elite cyclists, Bryan DuVall, told me to go out and watch Tulsa Tough. After watching the races, I knew that I had to race road – and Tulsa Tough. This started me on the path to where I am today.”

“I have not raced all that long – going on six years, and it started with the mountain bike,” says Skyler’s father, Brian Mackey, adding that it was Skyler’s fault that he got into racing in the first place. “I was not about to sit and do nothing at the races while he raced!”

“I must say that, at first, I couldn’t have cared less about Tulsa Tough. I was a mountain biker that really did not like the idea of a road bike,” says Brian, who is now a Category 3 Masters racer. “If my son, Skyler, never got me to go and watch with him, I can say that I would have missed out on some of the best times I have had racing my bike – I race all three days now.”

Proud father Brian has this to say about son Skyler: “Work ethic – this kid has had it since he threw his leg over the bike. No matter the conditions outside or the roadblocks put in front of him, he is sticking to his plan. He has had to make sacrifices to get where he is now. Seeing him surpass me on the bike has been a true treasure.”

Skyler says that professional cycling takes sacrifice and major dedication. His goal is to race Paris-Roubaix, a professional road race in northern France, and to be able to make a living racing his bike.

In addition to the races, Tulsa Tough offers the popular Gran Fondo – two challenging days of noncompetitive, fully supported, tour-style rides with three distances to choose from, 35 to 100 miles in length. All routes explore Tulsa and the surrounding rural areas, finishing each day at the heart of downtown just in time for the criterium races.

Photo courtesy Tulsa Tough inc.
Photo courtesy Tulsa Tough inc.

Sharon Johndrow is a four-year veteran of Tulsa Tough and a member of the Saint Francis Tulsa Tough Divas, a noncompetitive, women’s cycling team.

“Three years ago, Divas was started to coincide with Tulsa Tough as a way to draw attention to women’s cycling,” Johndrow says. “It is a program where the common goal is cycling, but more so for women to support each other in other ways too.”

The Divas will participate in the Gran Fondos on Saturday and Sunday. “I will participate in the Medio, which is approximately 66 miles,” Johndrow says.

“In 2015, we had nearly 3,000 total participants from 41 states and 14 countries. We hope to continue growing those numbers,” McCollam says. “2015 was a pivotal year for us as we produced a second event, the Cyntergy Hurtland, and took steps to expand our activities beyond event production to youth programming, promotion of a public bike sharing network and development of a concept for a world class cycling facility in Tulsa.”

Not only does Saint Francis Tulsa Tough guarantee a weekend of fun for both riders and spectators, it has a significant impact on the city’s economy. According to McCollam, “The last study we conducted was in 2013 and, at that time, the economic impact was conservatively estimated at $1.5 million.”

Saint Francis Tulsa Tough is produced by Tulsa Tough Inc., a non-profit 501(c)(3) with the support of local corporations and foundations. Guidance for the event comes from an executive committee made up of area cyclists and business people.

“Our mission is to elevate the profile of Tulsa and promote active lifestyles,” explains McCollam. “The event benefits all of Tulsa and its citizens by promoting a positive image of the community to those outside Oklahoma.”

For more information, visit tulsatough.com.

Jersey Boys

Courtesy.
Courtesy.
Courtesy.

Thru Sun., May 29 at the Tulsa Performing Arts Center.

From tulsapac.com: Back by popular demand! JERSEY BOYS is the Tony and Olivier Award-winning Best Musical about Rock and Roll Hall of Famers The Four Seasons: Frankie Valli, Bob Gaudio, Tommy DeVito and Nick Massi. This is the true story of how four blue-collar kids became one of the greatest successes in pop music history. They wrote their own songs, invented their own sounds and sold millions of records worldwide. Jersey Boys features their hit songs “Sherry,” “Big Girls Don’t Cry,” “Walk Like a Man,” “Who Loves You,” “Can’t Take My Eyes Off You” and more.

JERSEY BOYS contains authentic “profane Jersey language” and is recommended for ages 13+.

For more information visit tulsapac.com